Name: Freiburger Barockorchester seliges Erwägen«
Start: 2017-12-01T00:00:00.000Z
End: 2017-12-01T00:00:00.000Z
Location: Laeiszhalle

Admin

Elbphilharmonie & Laeiszhalle Hamburg

Orchestra

Freiburger Barockorchester

Conductor

Gottfried von der Goltz

Singer

Anna Lucia Richter

Soloist

Hanna Zumsande

Julienne Mbodjé

Colin Balzer

Michael Feyfar

Konstantin Wolff

Peter Harvey

Freiburger Barockorchester / seliges Erwägen«

Hamburg

Germany

Laeiszhalle

Großer Saal

Public

Seliges Erwägen des Leidens und Sterbens Jesu Christi, TWV 5:2

Simon Samuel

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Soprano

Baritone

Contralto

Tenor

Bass

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

In 18th-century Hamburg, Rostock or Riga, performances of Telemann’s »Seliges Erwägen« (The Blessed Contemplation of the Bitter Suffering and Death of Jesus Christ) had a firm place in the concert calendar. But over the course of the 19th century, the formerly successful work gradually fell into oblivion. Gottfried von der Goltz and the Freiburger Barockorchester revive the memory of a piece that hasn’t been heard in Hamburg for far too long.

Telemann’s Passion oratorio »Seliges Erwägen« dates from around 1722, and was a real hit in its day. Telemann wrote the libretto himself, and the experienced composer of operas and church music proved his talent here for vivid illustration. Written »to encourage devotion« and first performed in the »Werk- und Zuchthaus« in Hamburg, Telemann’s musical depiction of the Passion influenced other composers for decades to come.

English

In Hamburg, Rostock oder Riga hatten im 18. Jahrhundert Aufführungen von Telemanns »Seliges Erwägen« ihren festen Platz im Konzertkalender. Doch im Laufe des 19. Jahrhunderts geriet das Erfolgsstück zunehmend in Vergessenheit. Gottfried von der Goltz und das Freiburger Barockorchester erinnern nun an ein Werk, das man in Hamburg viel zu lange nicht mehr gehört hat.

Telemanns um 1722 geschriebenes Passionsoratorium »Seliges Erwägen des bittern Leidens und Sterbens Jesu Christi« war seinerzeit ein echter Hit. Den Text hatte Telemann selbst verfasst, in der bildhaften und anschaulichen Umsetzung bewährte sich der erfahrene Opern- und Kirchenkomponist. Geschrieben zur »Beförderung der Andacht« und im »Hamburgischen Werk- und Zuchthaus« erstmals aufgeführt, wirkte Telemanns Darstellung der Passionsgeschichte auf Jahrzehnte hinaus stilbildend.

Deutsch

Freiburger Barockorchester / seliges Erwägen« by Telemann, Frá (2017/2017), Hljómsveitarstjóri Gottfried von der Goltz, Laeiszhalle, Hamburg, Germany

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