Organization

Festival d'Aix en Provence

Cantante

Soprano

Elisabeth Boudreault

Contralto

Fiona McGown

Alto

Tenore

Andrew Henley

Tenor

Basso

Romain Bockler

Bass

Regia

Robin Tebbutt

Costumi

Vicki Mortimer

Katie Mitchell

Direzione d'orchestra

Simon-Pierre Bestion de Camboulas

Scenografia

Luci

James Farncombe

Opéra National de Bordeaux

Opéra de Lyon

De Nationale Opera

The Calouste Gulbenkian Foundation

tedesco

Funeral night

Lione

Francia

Théâtre des Célestins

Funeral Night (Trauernacht): Kantaten Bach,JS

Public

Cantate

francese

Approvato

Funeral Night after Johann Sebastian Bach
Based on the cantatas of Johann Sebastian Bach, the director Katie Mitchell has imagined a new work: Nuit Funèbre. The artistic team tells you about it. A show to discover at the Célestins, Théâtre de Lyon from March 19 to 27. Reservations:https://bit.ly/3L2S4dh

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Throughout his plethora of career, Bach has composed no less than 200 cantatas, almost all for the parish of Leipzig and sometimes at the rate of one per week (!). On the other hand, he did not compose any opera, which Katie Mitchell remedies for him with Nuit funèbre (Trauernacht) . The director has recomposed a musical and scenic dramaturgy from a musical patchwork of extracts from little-known cantatas. From there,  Funeral Night (Trauernacht)presents itself as a secular cantata for five singers and eleven instrumentalists, a meditation on death, which testifies to the range of emotions at work in Bach, between abysmal doubt and the comfort of faith. Working on the psychology of the characters, Mitchell's staging, which had already carried The Passion according to Saint-Matthew on stage , is made of millimeter movements and surgical gestures that support the theatrical dimension of the whole.

English

Funeral night by Bach, J. S., Da (2022/2022), Diretto da Robin Tebbutt, Katie Mitchell,, Direttore d'orchestra Simon-Pierre Bestion de Camboulas, Théâtre des Célestins, Lione, Francia

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