Name: Giovanna d'Arco
Start: 2008-10-01T00:00:00.000Z
End: 2008-10-25T00:00:00.000Z
Location: Teatro Regio

Organization

Festival Verdi

Chanteur

Ténor

Evan Bowers

Carlo VII

Baryton

Renato Bruson

Giacomo

Soprano

Svetla Vassileva

Giovanna

Luigi Petroni

Delil

Basse

Maurizio Piccolo

Talbot

Direction d'orchestre

Bruno Bartoletti

Mise en scène

Gabriele Lavia

Décors

Alessandro Camera

Costumes

Andrea Viotti

Direction de choeur

Martino Faggiani

Others

Coro del Teatro Regio di Parma

Orchestra

Orchestra del Teatro Regio di Parma

Teatro Regio di Parma

Giovanna d'Arco -  (Jeanne d'Arc)

Parme

Italie

Teatro Regio

Milan 1845: With "Giovanna d'Arco", his seventh opera, Giuseppe Verdi achieves a great public success at the premiere at the Teatro alla Scala in Milan. The day after the premiere he writes enthusiastically that it is "without exception and without a doubt the best" of his previous operas. However, Verdi does not agree with the staging, which leads to a long-standing quarrel with the Scala director.

The dramma lirico in a prologue and three acts deals with the life of Joan of Arc (Johanna von Orléans). The libretto was written by Temistocle Solera, who had already written the librettos to "Oberto", "Nabucco" and "I Lombardi" for Verdi; "Attila" follows a year after "Giovanna d'Arco".
Solera uses the tragedy "The Maid of Orléans" by Friedrich Schiller, with which Verdi sets the first of his Schiller operas to music. "I Masnadieri" (The Robbers), "Luisa Miller" (after "Intrigue and Love") and "Don Carlos" follow.
The figure of Giovanna is dominant throughout the piece, and Verdi demands the finest vocal ornamentation techniques typical of his early compositional phase. Possibly "Giovanna d'Arco" was initially intended as a choral tableau, but the composer changed the emphasis in favor of the vocal artistry of the premiere's prima donna, Erminia Frezzolini.

Giovanna d'Arco Verdi

Public

Jeanne d'Arc

Valide

Brochure de la production

Lectures complémentaires