Name: Hamlet
Start: 2024-08-16T00:00:00.000Z
End: 2024-08-19T00:00:00.000Z
Location: Felsenreitschule

Organization

Admin

Salzburger Festspiele

Conductor

Bertrand de Billy

Chorus master

Walter Zeh

Singer

Baritone

Stéphane Degout

Hamlet

Bass

Jean Teitgen

King Claudius

Tenor

Julien Henric

Laertes

Clive Bayley

Ghost of the late King Hamlet

Mezzo-soprano

Eve-Maud Hubeaux

Queen Gertrude

Soprano

Lisette Oropesa

Ophelia

Orchestra

Mozarteumorchester Salzburg

Others

Philharmonia Chorus

Ilya Silchukov

First gravedigger

franču

Salzburg

Austria

Felsenreitschule

Hamlet Thomas

Public

Sharan Allad

vācu

angļu

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Den triumphalen Erfolg seiner Shakespeare-Oper Hamlet verdankte Ambroise Thomas nicht zum geringsten Teil dem Protagonistenpaar der Pariser Uraufführung im März 1868: Die junge schwedische Sopranistin Christine Nilsson, die das romantische Bild der Ophelia als femme fragile ideal verkörperte, berückte in ihrer großen, koloraturreichen Wahnsinnsszene, während der Bariton Jean-Baptiste Faure der Vielschichtigkeit des Titelhelden eindrucksvoll gerecht wurde. Inspiriert von einer Handlung, die sich ganz auf Hamlets Rache und ihre Auswirkungen auf Ophelia konzentriert, bewies Ambroise Thomas neben seiner melodischen Erfindungsgabe erneut seine Fähigkeit, dramatische Konfronta­tionen ebenso überzeugend zu schildern wie atmosphärisch aufgeladene Szenen.

Deutsch

Ambroise Thomas owed the triumphal success of his Shakespeare opera Hamlet not least to the two protagonists at its premiere in Paris in March 1868. The young Swedish soprano Christine Nilsson, the ideal embodiment of the Romantic image of Ophelia as a femme fragile, enchanted the audience in her great ‘mad scene’ with its rich coloraturas, while the baritone Jean-Baptiste Faure did impressive justice to the complex role of the titular hero. Inspired by a plot that focuses exclusively on Hamlet’s revenge and its effects on Ophelia, Ambroise Thomas once again demonstrated both his melodic inventiveness and his ability to convincingly render dramatic situations and atmospherically charged scenes.

English

Hamlet by Thomas, No (2024/2024), Diriģents Bertrand de Billy, Felsenreitschule, Salzburg, Austria

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