Name: Harlekin
Start: 2017-06-06T00:00:00.000Z
End: 2017-06-06T00:00:00.000Z
Location: Artificerie Almagià

Admin

Ravenna Festival

Roberta Gottardi

clarinet

Kostiumy

Gabriella Gasperini

Reżyseria światła

Luciano Gottardi

Reżyseria

Stefano Patarino

Harlekin

Rawenna

Włochy

Artificerie Almagià

Public

Larissa Andrea Pereira

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Dyrygent

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Sopran

Śpiewak

Kontratenor

Kontralt

Tenor

Mezzosopran

Baryton

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

The masked “types” of the commedia dell’arte left nothing behind but their hidden essence, their deepest, most abstract spirit—Stockhausen’s Harlekin does not speak: his personality emerges from the sound of a clarinet and the performer’s gestures, music and body language. A performer who must master different languages (sound, mime, dance), merged into a unique continuum describing the protagonist’s metamorphosis from a “Dream Messenger” to a “Roguish Joker” and an “Exalted Spinning Spirit”. A monologue built along the lines of Stockhausen’s infallible compositional “formula”, which has become part of Roberta Gottardi’s own self. Endlessly and intensely studying the piece with the composer, she can now reveal its hidden secrets in a performance that preserves and re-proposes the magic of the first time.

English

Della maschera della commedia dell’arte non rimane che l’essenza nascosta, lo spirito più profondo ed astratto: l’Harlekin di Stockhausen non parla, il suo io si riversa nel suono del clarinetto e nel gesto, nella musica e nel linguaggio del corpo. L’interprete chiamato a dargli vita intreccia e fonde codici diversi – suono, mimo, danza – in un flusso di senso unico e originale lungo il quale si snodano le metamorfosi del protagonista, da “messaggero di sogno” a “buffone burlone” fino a “esaltato spirito rotante”. Un monologo sul filo dell’infallibile “formula” compositiva stockhausiana, che per Roberta Gottardi è come una parte di sé: vi ha lavorato a stretto contatto con l’autore, l’ha ripercorsa con tale intensità da poterne insegnare i segreti, ma anche da riuscire a riproporla ogni volta con lo stupore della prima volta.

italiano

Harlekin by Stockhausen, od (2017/2017), W reżyserii Stefano Patarino,, Artificerie Almagià, Rawenna, Włochy

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca