Name: Haydn | Beethoven
Start: 2024-11-14T00:00:00.000Z
End: 2024-11-14T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Admin

Orchestre de Chambre de Paris

Théâtre des Champs-Elysées

Conductor

Gábor Takács-Nagy

Instrumentalist

Steven Isserlis

Cello

Haydn | Beethoven

Paris

France

Public

Concert

Symphony No.1 in D major, Hob

Cello Concerto No. 1 in C Major, Hob.VIIb:1

From Jewish Life, B.54

Symphony No. 6 in F Major, op.68 ("Pastoral")

Rahul Solomon

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Contralto

Countertenor

Tenor

Bass-baritone

Baritone

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Ce programme associe deux partitions de jeunesse de Haydn (dont son Concerto pour violoncelle n° 1, longtemps méconnu) à la célèbre Symphonie n° 6 « Pastorale », œuvre de la pleine maturité de son élève Beethoven. Lorsque Haydn compose sa Symphonie n° 1, à la fin des années 1750, il se conforme encore à la structure tripartite de l’ouverture à l’italienne baroque. Mais son élégance et son sens de l’éclat attestent déjà sa personnalité, laquelle s’affirme dans le Concerto pour violoncelle n° 1, daté du début des années 1760 et redécouvert en 1961 seulement. La Symphonie « Pastorale » (1808) est certainement la plus radieuse des partitions orchestrales de Beethoven, « plutôt expression du sentiment que peinture ». Le compositeur s’engage dans la voie de la musique à programme et projette ses états d’âme sur la nature : des idées que creuseront les compositeurs romantiques tout au long du XIXe siècle.

français

This program combines two early scores by Haydn (including his long-unknown Cello Concerto No. 1) with the famous Symphony No. 6 “Pastoral” , a fully mature work by his student Beethoven. When Haydn composed his Symphony No. 1 , in the late 1750s, he still conformed to the tripartite structure of the Italian Baroque overture. But his elegance and his sense of brilliance already attest to his personality, which is affirmed in the Cello Concerto No. 1 , dated from the early 1760s and rediscovered only in 1961. The “Pastoral” Symphony (1808) is certainly the most radiant of Beethoven’s orchestral scores, “more an expression of feeling than a painting”. The composer embarks on the path of program music and projects his moods onto nature: ideas that Romantic composers explored throughout the 19th century.

English

Haydn | Beethoven by Haydn, Bloch, E., Beethoven, Alates (2024/2024), Dirigent Gábor Takács-Nagy, Théâtre des Champs-Elysées, Paris, France

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