Name: Heavenly Skies
Start: 2023-03-01T00:00:00.000Z
End: 2023-03-01T00:00:00.000Z
Location: Lighthouse

Organization

Conductor

Alexander Soddy

Instrumentalist

Thomas Gould

Violin

Singer

Soprano

Natalia Tanasii

Voice

Orchestra

Bournemouth Symphony Orchestra

Heavenly Skies

Poole

United Kingdom

Lighthouse

Concert Hall

Heavenly Skies | Beethoven, Vaughan Williams and Mahler: Concert Various

Public

Leonora Overture No. 3, op.72b

The Lark Ascending

Symphony 4

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Tenor

Mezzo-soprano

Countertenor

Baritone

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

The Third Leonore Overture stands as one of the great emblems of the heroic Beethoven, a potent and controlled musical embodiment of a noble humanistic passion. Too strong and big a piece, with music of rapturous, fiery energy as well as profound darkness, it was always going to be more than a mere introduction. Vaughan Williams’ best loved and most enduring Romance opens almost imperceptibly, out of which the ‘lark’ takes wing, rising, undulating, falling. The music avoids any tonal centre, written without bars allowing the soloist an almost improvisatory freedom to describe the ethereal minstrel. It is a picture of a perfect world; an intensely beautiful and idyllic tableau of English life that may have been lost forever. The last of Mahler’s Wunderhorn symphonies, the Fourth is the sunniest of all his symphonies. Displaying an innocence and congeniality throughout, it is an exploration of the idea of heaven from the perspective of a child. The title of the poem used in the symphony’s final movement is There is not a cloud in the sky. Elements from the song appear in the first three movements before it is heard in its entirety in the last movement.

English

Heavenly Skies by Beethoven, Vaughan Williams, Mahler, Alkaen (2023/2023), Musiikinjohto Alexander Soddy, Lighthouse, Poole, United Kingdom

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