Organization

Director(a) orquestal

Dmitri Jurowski

Mikahail Tatarnikov

Director(a) de escena

Dmitry Belyanushkin

Escenógrafo(a)

Alexander Arefiev

Diseñador(a) de vestuario/Figurinista

Maria Chernysheva

Diseñador(a) de iluminación

Andrey Abramov

Cantante

Mezzosoprano

Daria Shuvalova

Rosina

Tenor

Vladimir Kuchin

El Conde de Almaviva

Barítono

Aleksey Shapovalov

Figaro

Bajo

Andrey Triller

Don Bartolo

Alexey Laushkin

Basilio

Soprano

Ekaterina Marzoeva

Berta

Artem Akimov

Fiorello

Novosibirsk State Academic Opera and Ballet Theater (NOVAT)

italiano

Il barbiere di Siviglia -  (El barbero de Sevilla)

Novosibirsk

Rusia

Novosibirsk State Academic Opera and Ballet Theatre

Il barbiere di Siviglia Rossini

Public

El barbero de Sevilla

ruso

Válido

“The Barber of Seville” is the best opera by Gioachino Rossini, the last great example of the Italian comic opera buffa, and the favourite composition of all time (its première was held in Rome more than 200 years ago).

The opera is based on the play by the famous writer Pierre Beaumarchais, an attractive, witty, musically gifted Frenchman. The play evoked the delight of the royal court, although the central figure of the plot was a simple servant, Figaro by name — clever, mocking, persistent, enterprising, inexhaustible in scheming and unravelling other people’s schemes, never at a loss or discouraged, and always able to find a way out of any situation.

It was probably Gioachino Rossini — the “divine maestro”, “the sun of Italy” — who created the best opera on the basis of this play. It is full of funny comic tricks, unexpected plot twists, hilarious impersonations, and the atmosphere of wit, youth and love persists throughout the performance.

The music of the great Italian composer cannot but delight the audience — it is inventive, temperamental, light and elegant.

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo