Organization

Garsington Opera

Scenografia

Simon Higlett

Luci

Howard Hudson

Coreografia

Ewan Jones

Cantante

Tenore

Andrew Stenson

Il Conte d'Almaviva

Baritono

Johannes Kammler

Figaro

Mezzosoprano

Katie Bray

Rosina

Basso

Richard Burkhard

Don Bartolo

Callum Thorpe

Don Basilio

Soprano

Josephine Goddard

Berta

Direzione d'orchestra

Douglas Boyd

Regia

Christopher Luscombe

Others

Garsington Opera Chorus

Orchestra

Garsington Opera Orchestra

italiano

Il barbiere di Siviglia

Buckinghamshire

Regno Unito

Public

inglese

Approvato

Figaro here, Figaro there, Figaro up, Figaro down – he’s the Barber of Seville and he’s the ‘go to’ man for everything, from a short back and sides to marriage guidance counselling. In this instance, Count Almaviva has fallen head-over-heels for Rosina, who appears enticingly at her window but is never seen beyond the confines of her house. To her fury and frustration, she’s been locked up by her jealous guardian, Dr Bartolo. Aided and abetted by Figaro, Almaviva serenades Rosina from the street, then manages to gain access by disguising himself first as a soldier in search of a billet, and then as a substitute music teacher.

Rossini’s joyously inventive music makes this a deftly-paced triumph of comic timing. But woe betide anyone taking too many liberties: Adelina Patti, the great 19th century diva, once sang the aria ‘Una voce poco fa’ to Rossini, adding numerous florid embellishments. The composer responded: ‘Very nice, my dear, and who wrote the piece you have just performed?’

English

Il barbiere di Siviglia by Rossini, Da (2023/2023), Diretto da Christopher Luscombe,, Direttore d'orchestra Douglas Boyd, Garsington Opera, Buckinghamshire, Regno Unito

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Ensemble

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