Name: Il barbiere di Siviglia
Start: 2013-09-14T00:00:00.000Z
End: 2013-09-18T00:00:00.000Z
Location: ROHM

Admin

Organization

Tenor

Juan Francisco Gatell

The Count of Almaviva

Bass

Filippo Polinelli

Doctor Bartolo

Mezzo-soprano

Géraldine Chauvet

Rosina

Baritone

Simone Alberghini

Figaro

Roberto Scandiuzzi

Don Basilio

Conductor

Sebastian Lang-Lessing

Stage director

Filippo Crivelli

Mariano Bauduin

Set designer

Emanuele Luzzati

Costume designer

Santuzza Calì

Royal Opera House of Muscat

Others

Coro del Teatro di San Carlo

Orchestra

Orchestra del Teatro di San Carlo

Il barbiere di Siviglia -  (The Barber of Seville)

Muscate

Oman

ROHM

Public

The Barber of Seville

Approved

The Barber of Seville , Sections of Act 1 from the Royal Opera House Muscat by Teatro di San Carlo , Naples- Italy. Conductor Sabastian Lang-Lessing, Fiorello: Chiristian Starinieri, Count Almaviva: Juan Francisco Gatell, Figero: Simone Alberghini, Doctor Bartolo: Filippo Polinelli, Rosina: Geraldine Chauvet, Berta: Gladys Rossi, Don Basilio: Roberto Scandiuzzi.

Royal Opera House Muscat Barbiere Act 1

Rossini's masterful comic opera about a matchmaking barber, presented by Teatro San Carlo of Naples, Italy

The most venerable of Europe’s opera houses brings a beloved comic opera to the stage with this ambitious mounting of Gioachino Rossini’s The Barber of Seville. Under the dynamic leadership of conductor Sebastian Lang-Lessing, an acclaimed cast – headed by Juan Francisco Gatell, mezzo-soprano Géraldine Chauvet, Filippo Polinelli, and Simone Alberghini as the famed Figaro – brings Rossini’s most frequently performed opera to Muscat with a traditional production by Naple’s Teatro di San Carlo. The Barber of Seville’s popularity stems from its tale of optimistic love and clever disguise, and its perfect concoction of elegant gest and energetic performance; it is a comic treasure that has continued to delight audiences for nearly two hundred years.

“The Barber of Seville is a corker of an opera. Even non-opera fans can get their heads and laughter around it, the story and familiar melodies and arias having become so iconic.”

English

Esityksen ansiot (Näyttelijät & Tuotantotiimi )

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