Name: Il canto s'attrista, perche?
Start: 2020-05-08T00:00:00.000Z
End: 2020-05-31T00:00:00.000Z
Location: Opernhaus

Organization

Певец

Сопрано

Ralitsa Ralinova

Cassandra

Меццо-сопрано

Iris Marie Sojer

Clitemestra

Контратенор

Rupert Enticknap

Guardiano

Баритон

Simon Stricker

Agamemnon

Бас-баритон

Gerard Farreras

Araldo

Ja-Young Park

Soloquartett

Katharina Greiß

Marco Agostini

Javier Horacio Zapata Vera

Дирижер

Johannes Pell

Режиссер-постановщик

Nigel Lowery

Художник-постановщик

Хормейстер

Markus Baisch

Драматург

David Greiner

Художник по костюмам

Stadttheater Klagenfurt

Wuppertaler Bühnen

Orchestra

Sinfonieorchester Wuppertal

Others

Opernchor der Wuppertaler Bühnen

итальянский

Il canto s'attrista, perche?

Вупперталь

Германия

Opernhaus

Il canto s'attrista, perche? Sciarrino

Public

Private

немецкий

Одобрено

n this »missing link« between Christoph Willibald Gluck's Iphigenia operas and Richard Strauss' Elektra, the betrayed Klytämnestra finally has her say.

In Mycenae we learn of the return of King Agamemnon, who has conquered Troy after ten years of war and is now returning home with Cassandra as his slave and mistress. His wife Klytämnestra can neither forgive him for the sacrifice of her daughter Iphigenia nor for the present adultery and takes terrible revenge.

Salvatore Sciarrino – well known in Wuppertal after a number of premieres and world premieres over the past few decades, most recently ›La porta della legge‹ in 2009 – is one of the most important contemporary Italian composers and has been looking at major theatrical material from a different perspective for years. After versions of 'Macbeth' and 'Lohengrin' he now turns to ancient Greek literature: Aeschylus' 'Oresteia'.

English

Deutsch

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Постановочная труппа

Ансамбль

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