Organization

Admin

Ensemble La Palatine

Orchestra

Singer

Soprano

Marie Theoleyre

Instrumentalist

Guillaume Haldenwang

Harpsichord

Noémie Lenhoff

Violin

Nicolas Wattinne

Théorbe

Il n’y a pas d’amour heureux

Paris

France

Public

Concert

Delfina Gago

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Mezzo-soprano

Bass-baritone

Contralto

Bass

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Surprising, dramatic and jubilant: La Palatine uses Italian music from the beginning of the 17th century to paint a chiaroscuro program on disenchantment in love.
A varied and intense love journey with multiple colors, ranging from the immaculate whiteness of Kapsberger's Rosa Bianca to the ironic reproaches of Merula's songs, via the bittersweet feelings of Savioni's cantatas. Monteverdi's Lamento d'Arianna will conclude this program, the paroxysm of the amorous despair of this concert whose common thread will be Brassens' song...
Also with works by Piccinini, Strozzi, Bartolotti...

English

Surprenant, dramatique et jubilatoire : La Palatine s'empare de la musique italienne du début du XVIIème siècle pour peindre un programme en clair-obscur sur le désenchantement amoureux.
Un parcours amoureux varié et intense aux couleurs multiples, allant de la blancheur immaculée de Rosa Bianca de Kapsberger aux reproches ironiques des chansons de Merula, en passant par les sentiments doux-amers des cantates de Savioni. Le Lamento d’Arianna de Monteverdi conclura ce programme, paroxysme du désespoir amoureux de ce concert dont le fil rouge sera la chanson de Brassens…
Avec également des œuvres de Piccinini, Strozzi, Bartolotti…

français

Il n’y a pas d’amour heureux by Various, From (2023/2023)

Performance credits (Cast & Crew )

Cast

Instrumentation

Ensemble

Programme, About & Synopsis

Further reading

Performance Dates & Venues

Venues