Organization

Sångare

Baritone

Željko Lučić

Gianni Schicchi

Tenor

Jonathan Abernethy

Gherardo

Soprano

Monika Buczkowska

Nella

Bass

Thomas Faulkner

Betto di Signa

Alfred Reiter

Simone

Liviu Holender

Marco

Pilgoo Kang

Amantio di Nicolaro

Regissör

Claus Guth

Dirigent

Pier Giorgio Morandi

Ljus designer

Olaf Winter

Kostym designer

Anna Sofie Tuma

Scenograf

Christian Schmidt

Dramaturg

Norbert Abels

Körledare

Tilman Michael

Álvaro Corral Matute

Elza van den Heever

Suor Angelica

Mezzo-soprano

Claudia Mahnke

La Badessa

Suor Genovieffa

Michele

Stefano La Colla

Luigi

Michael McCown

Il Tinca

Giorgetta

Un venditore di canzonette

Il Talpa

Contralto

Victória Pitts

La Zia Principessa

Marvic Monreal

La Suora Zelatrice

Nombulelo Yende

Suor Dolcina

Kudaibergen Abildin

Rinuccio

Zita

Penny Sofroniadou

Lauretta

Florina Ilie

Barbara Zechmeister

Karolina Bengtsson

Suor Osmina

Stella An

Claudia Kamaris

La suora infermiera

Michaela Schaudel

Prima cercatrice

Prima conversa

Anna-Katharina Hilpert

Seconda conversa

Seconda cercatrice

Prima novizia

Seconda novizia

Mirjam Mesak

Freya Schmidt

Gherardino

Anthony Ritts

Joanna Motulewicz

La Ciesca

Thomas Schobert

Spinnelloccio

Cheol Kang

Guccio

Garegin Hovsepian

Pinellino

Enikö Boros

La Maestra delle Novizie

Alketa Hoxha

Thomas Charrois

Katharina Magiera

La Frugola

Una amante

Jaeil Kim

Un amante

Oper Frankfurt

Others

Choir of the Frankfurt Opera

Orchestra

Frankfurter Opern- und Museumsorchester

italienska

Il Trittico

Frankfurt am Main

Tyskland

Opernhaus

Il Trittico: Il tabarro Puccini (+2 More)

Public

Il tabarro

tyska

engelska

Approved

Giacomo Puccini combines three extremely diverse one-act plays in his triptych, which premiered at the Metropolitan Opera in New York in 1918: a bloody jealousy drama, the lonely tragedy of a nun and an Italian comedy surrounded by a greedy family clan. The finiteness of life is the element that is inherent in all three works in different ways. From this core, director Claus Guth develops his reading, which unfolds as a study of human types of death and how to cope with them. A ship - locked like a boat, like a monastery or even a dying room - becomes Christian Schmidt's connecting stage. In it, the spheres of life and death coexist and sometimes even mix. The staging reveals the invisible interweaving of both worlds.

English

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble