Organization

Conductor

Albert Horne

Stage director

Uwe Eric Laufenberg

Set designer

Gisbert Jäkel

Costume designer

Jessica Karge

Lighting designer

Andreas Frank

Chorus master

Roman B Twardy

Dramaturge

Daniel C. Schindler

Singer

Tenor

Aaron Cawley

Luigi

Erik Biegel

Tinca

Bass

Wolf Matthias Friedrich

Talpa

Soprano

Cristina Pasaroiu

Giorgetta

Mezzo-soprano

Romina Boscolo

La Frugola

Ioan Hotea

Voce di tenorino

A male lover

Stella An

Voce di sopranino

A female lover

A song seller

Lauretta

Contralto

Zita

Rinuccio

Gherardo

Britta Stallmeister

Nella

Benjamin Russell

Betto di Signa

Simone

Baritone

Christopher Bolduc

Marco

Fleuranne Brockway

La Ciesca

John D Holyoke

Maestro Spinelloccio

Martin Stoschka

Ser Amantio di Nicolao

Oliver Steinmetz

Pinellino

Sławomir Wielgus

Guccio

Sister Angelica

The Princess

The Abbess

Sister Genovieffa

Sister Dolcina

Olesya Golovneva

Sister Zelatrice

Aluda Todua

Michele

Gianni Schicchi

Hessisches Staatstheater Wiesbaden

Orchestra

Hessisches Staatsorchester Wiesbaden

Others

Wiesbadener Knabenchor

Chor des Hessischen Staatstheaters Wiesbaden

itāļu

Il trittico

Wiesbaden

Germany

Internationale Maifestspiele

Grosses Haus (Wiesbaden)

Il trittico: Il tabarro (+2 More)

Public

The Cloak

vācu

Approved

Trailer | »Il trittico« | Puccinis »Triptychon«

In opera, the dramatic, the sad and the funny are often closely related. Giacomo Puccini may have had this very thought in mind when he began to create an opera evening around the turn of the century, in which three one-act operas were to be performed, each of which had to serve a different genre as an example: the drama, the touching melodrama and the comedy. In this way, the three one-act plays "Der Mantel" ("Il tabarro"), "Sister Angelica" ("Suor Angelica") and "Gianni Schicchi" were created, which the composer combined to form "The Triptych" ("Ilertrico").

English

In der Oper liegen Dramatisches, Trauriges und Lustiges oft eng beieinander. Eben diesen Gedanken mag Giacomo Puccini im Hinterkopf gehabt haben, als er um die Zeit der Jahrhundertwende damit begann, einen Opernabend zu kreieren, bei dem drei einaktige Opern zur Aufführung gebracht werden sollten, die jeweils eine andere Gattung exemplarisch zu bedienen hatten: das Drama, das berührende Melodram und die Komödie. Auf diesem Weg entstanden die drei Einakter »Der Mantel« (»Il tabarro«), »Schwester Angelica« (»Suor Angelica«) und »Gianni Schicchi«, die der Komponist zu »Das Triptychon« (»Il trittico«) zusammenfügte.

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