Admin

Organization

Dirigent

Rastislav Stur

Martin Leginus

Regissör

Roman Polák

Scenograf

Pavel Borák

Kostym designer

Peter Čanecký

Körledare

Pavel Procházka

Sångare

Soprano

Eva Hornyáková

Suor Angelica

Mária Porubčinová

Contralto

Jitka Sapara-Fischerová

La Zia Principessa

Denisa Šlepkovská

Mezzo-soprano

Katarína Flórová

La Suora Zelatrice

Michaela Šebestová

Adriana Banásová

Suor Genovieffa

Andrea Vizvári

Andrea Hulecová

La Maestra delle Novizie

Daria Ďurišová

Suor Osmina

Miriam Maťašová

La suora infermiera

Eva Šeniglová

Bass

Daniel Hlásny

Pinellino

Paulína Hríbová

Prima novizia

Margot Kobzová

Seconda novizia

Baritone

Roman Krško

Marco

Marek Pobuda

Denisa Hamarová

La Ciesca

Alena Grach

Martin Malachovský

Spinnelloccio

Tomáš Šelc

Mikuláš Doboš

Amantio di Nicolaro

Juraj Peter

Betto di Signa

Boris Prýgl

Ján Galla

Simone

Tenor

Ján Babjak

Gherardo

Martin Gyimesi

Lauretta

Katarína Juhásová-Štúrová

Tomáš Juhás

Rinuccio

Maksym Kutsenko

Zita

Gustáv Beláček

Gianni Schicchi

Ján Ďurčo

Daniel Čapkovič

Michele

Sergej Tolstov

Il Tinca

Andrea Danková

Giorgetta

Adriana Kohútková

Miroslav Dvorský

Luigi

Boldizsár László

Il Talpa

Monika Fabianová

La Frugola

Jozef Kundlák

Un venditore di canzonette

Ivan Ožvát

Voce di sopranino

Katarína Polakovičová

Martin Klempár

Voce di tenorino

Jiří Zouhar

Veronika Mihalková

Nella

Eva Rampáčková

Slovak National Theatre

Others

Bratislava Boys' Choir

italienska

Il Trittico

Bratislava

Slovakien

Slovak National Theatre Historical Building

Public

Il tabarro

Approved

One-act operas often find themselves in the "second sequence" of our interest. After all, the smaller time plan they have at their disposal may be the reason why a dramatic story of a more serious scope and message does not unfold in the work. Plus, shorter operas need to be combined to make the whole opera night together. However, this is not easy, as the nature of each work, its content or musical style is quite specific and the combination of two or more operas in one dinner can thus become rather counterproductive. Fortunately, there are exceptions: such as the "sibling relationship" of Mascagni's Peasant Honor and Leoncavall's Comedians (who have two acts, but not a full-length one), ie works that are commonly premiered and presented together. And another exception is Puccini's trio of one-act operas, which make Triptych. They are united by Puccini's unmistakable veristic compositional language, the author's infallible musical-dramatic intuition. It is thanks to her that all the designs with which he was inspired acquire a deeper meaning, based on the phenomenal musical reflection of the characters and the relationships between them. To all this is added a refreshing genre contrast between these works: if the first of them, Cloak, introduces us to the world of poor sailors on the Seine in Paris - and tells the tragic story of a brutal murder out of jealousy, the second (Sister Angelika) leads the viewer among the walls of the monastery a clause in which a young noblewoman, the mother of an illegitimate child, struggles with her destiny. Finally, the third of the works, Gianni Schicchi, is a comic story about a dying wealthy lord around whom the vortex of the inherited relatives revolves.

Musical productions are staged by the main conductor of the SND Opera, Rastislav Štúr, and staged by the excellent drama director Roman Polák.

English

Il Trittico by Puccini, Från (2017/2017), Regisserad av Roman Polák,, Dirigent Rastislav Stur, Martin Leginus, Slovak National Theatre Historical Building, Bratislava, Slovakien

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Program, Om & Synopsis

Videoklipp

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser