Name: Il trovatore
Start: 2021-10-24T00:00:00.000Z
End: 2021-11-26T00:00:00.000Z
Location: Opernhaus

Organization

Певец

Тенор

Piotr Beczała

Манрико

Сопрано

Marina Rebeka

Леонора

Баритон

Quinn Kelsey

Граф ди Луна

Бас

Robert Pomakov

Феррандо

Andrei Skliarenko

Гонец

Bożena Bujnicka

Инес

Omer Kobiljak

Руис

Режиссер-постановщик

Adele Thomas

Дирижер

Gianandrea Noseda

Художник по свету

Franck Evin

Художник-постановщик

Annemarie Woods

Хореограф

Emma Woods

Драматург

Beate Breidenbach

Хормейстер

Janko Kastelic

Меццо-сопрано

Agnieszka Rehlis

Азучена

Jeremy Bowes

Старый цыган

Piotr Lempa

Opernhaus Zürich

Others

Chor der Oper Zürich

Orchestra

Philharmonia Zürich

итальянский

Il trovatore -  (Трубадур)

Цюрих

Швейцария

Opernhaus

Public

Трубадур

немецкий

английский

Одобрено

Il trovatore Verdi

IL TROVATOREDramma lirico in vier Teilen von Giuseppe Verdi (1813-1901)www.opernhaus.ch/trovatoreMusikalische Leitung: Gianandrea NosedaInszenierung: Adele T...

Il trovatore
Casting this opera, as Enrico Caruso once put it, is very easy: You only need the four best singers in the world. Our soloist quartet has undoubtedly earned this title: the Latvian soprano Marina Rebeka makes her debut as Leonora, her lover Manrico is Piotr Beczała. His opponent Count Luna is Quinn Kelsey, whom the Zurich audience will remember as Rigoletto, and the Polish mezzo-soprano Agnieszka Rehlis will return to Zurich as Azucena. Gianandrea Noseda makes his debut as general music director; For the first time in Zurich, the young British director Adele Thomas, whose sensual and theatrical imagery predestines her for this work.

Verdi's Trovatore has to endure a major contradiction - namely that of being one of the most criticized and at the same time one of the most popular operas in the entire repertoire. The dark plot, which could hardly be understood without knowledge of the previous history, gave cause for criticism. The reason for the popularity of the piece since the triumphant premiere is Verdi's unrestrained melodic inventiveness, the musical dramaturgy based on sharp contrasts and the brilliance of the vocal parts. Like the other two operas in the trilogia popolare that established Verdi's world fame - La traviata and Rigoletto - Il trovatore also representsa social outsider figure at the center of the action: Azucena, whose insatiable thirst for revenge runs through the rapidly developing plot like a red thread. She once saw her mother burned at the stake. Torn by the pain of this injustice, she kidnapped the son of the family who was responsible for the burning of the alleged witch to see him die in the fire as well. What only Azucena knows, however, is that the child she threw into the fire in blind despair was her son; Manrico, who grew up with her and considers himself her son, is in truth the brother of the hated Count Luna. Now Luna and Manrico, the "troubadour", are not only fighting against each other in the civil war on different sides, but they are also rivals,

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Постановочная труппа

Ансамбль