Name: Il trovatore
Start: 2022-08-06T00:00:00.000Z
End: 2022-08-06T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Director(a) orquestal

Valery Gergiev

Director(a) de escena

Pier Luigi Pizzi

Escenógrafo(a)

Massimo Pizzi Gasparon

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de iluminación

Vincenzo Raponi

Coreógrafo(a)

Emil Faski

Pianista

Marina Mishuk

Director(a) coral

Pavel Teplov

Maestro repetidor

Marina Nikitina

Cantante

Soprano

Tatiana Serjan

Leonora

Mezzosoprano

Anna Kiknadze

Azucena

Tenor

Ivan Gyngazov

Manrico

Barítono

Ariunbaatar Ganbaatar

El Conde de Luna

Bajo

Andrei Serov

Ferrando

Primorsky Stage of the Mariinsky Theatre

italiano

Il trovatore -  (El Trovador)

Vladivostok

Rusia

Il trovatore

Public

El Trovador

ruso

inglés

Válido

Pier Luigi Pizzi on his production of the opera:
“In my opinion, Il trovatore is a stunning example of Verdian melodrama, a point of reference for many other composers in the 19th century. The perfection of the opera’s musical form, its engaging plot, vivid choral scenes and the unusual beauty of the melodies allowed Verdi to convey with great power human passions including love, hate and jealousy as well as revenge and death.
Returning once again to this opera, so adored by many, and doing so at a mature age, I plan to focus on the psychology of the characters. I will also focus particularly on the intense dramatic story being told. The characters of the protagonists seem to me to create a strong impression.
Azucena is, of course, the lead female character: she treacherously fans the flames of the conflict between Manrico and the Conte di Luna, two brothers unaware of their blood ties, and awakens feelings of rivalry and mutual hatred between them.
I find that the Conte di Luna is another protagonist on whom Verdi bestowed the most noble and passionate arias. The insistence with which he seeks out his lost brother, the ardent passion he feels for Leonora, his fervent desire and his malice at unrequited feelings make the Conte di Luna a powerful dramatic character.
In comparison with him, Manrico, who has the privilege of performing the opera’s most famous aria, remains vulnerable and immature, young and inexperienced  – a mere pawn in the hands of the gypsy woman. Of Leonora it could be said that she is one of the most romantic characters in the history of opera. Two arias that Verdi assigned to this role  – Tacea la notte placida and D’amor sull ali rosee  – rouse the most incredibly tender thoughts for this courageous woman who resolves to sacrifice herself for the sake of love.
This opera stirs powerful emotions in me, and I would like to convey this noble feeling to the audience.”

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo