Name: Kát'a Kabanová
Start: 2024-07-29T00:00:00.000Z
End: 2024-08-01T00:00:00.000Z
Location: Olavinlinna Castle

Organization

Admin

National Theatre Prague

Savonlinna Opera Festival

Stage director

Calixto Bieito

Conductor

Robert Jindra

Set designer

Aída-Leonor Guardia Beier

Costume designer

Eva Butzkies

Chorus master

Lukáš Kozubík

Orchestra

Norrlandsoperans Symfoniorkester

Others

NorrlandsOperan Choir

tékkneska

Kát'a Kabanová -  (Katya Kabanova)

Savonlinna

Finland

Olavinlinna Castle

Kát'a Kabanová Janáček

Public

Katya Kabanova

Paul Koneri

finnska

enska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Singer

Contralto

Countertenor

Bass

Soprano

Tenor

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Miksi ihmiset eivät lennä niin kuin linnut?  Espanjalaisohjaaja Calixto Bieito tunnetaan oopperamaailman radikaalina, joka ei tee kompromisseja. ”Minua ohjaa...

Why can’t people fly like birds?  

Spanish director Calixto Bieito is known as a radical figure in the opera world, someone who does not make compromises. ‘I am guided by intuition’, he has said.   

Bieito shows what happens to sensitivity and the thirst for life in confined conditions. The young Káťa is trapped in her own home. She longs for contact, but her spineless husband Tichon is cold and her mother-in-law Kabanicha is cruel. Her desperate thirst for the love she lacks leads to rash decisions with fateful consequences.   

Opera was well suited to the composer Leoš Janáček. It provided him with a natural outlet for emotions, including his own. He fell in love with a married woman 38 years his junior. Kamila remained unattainable, so the composer wrote her into his music and also into the character of Káťa. Káťa’s monologues have tremendous expressive power. She is present in the music even when she is not singing. 

Performed by our visiting opera company National Theatre Prague. Suitable for audience from 12 years.

ONE OF EUROPE’S GREATEST OPERA HOUSES AS A GUEST
Our guest – Národní divadlo, the National Theatre in Prague – is one of Europe’s great opera houses. Its story is part of European history, through the Nazi occupation and communism. Even in challenging times, its spirit has retained a special appeal.  

When the Prague National Theatre visited the Savonlinna Opera Festival in 1991, the company’s dramaturge told Helsingin Sanomat: ‘Many international singers visit Prague. The Prague Opera, however, has no foreign currency with which to pay them. But that’s not a problem, because visiting singers don’t even want money in the current situation. They just want to sing in the Prague Opera that they love.’ 

Times have changed, but the love remains.

English

Miksi ihmiset eivät lennä niin kuin linnut?  

Espanjalaisohjaaja Calixto Bieito tunnetaan oopperamaailman radikaalina, joka ei tee kompromisseja. ”Minua ohjaa vaisto”, hän on sanonut.   

Bieito näyttää, mitä herkkyydelle ja elämänjanolle tapahtuu ahtaissa oloissa. Nuori Katja on ansassa omassa kodissaan. Hän kaipaa yhteyttä, mutta selkärangaton puoliso Tihon on kylmä ja anoppi Kabanitša julma. Puuttuvan rakkauden epätoivoinen jano johtaa hätiköityihin päätöksiin, joilla on kohtalokkaat seuraukset.  

Ooppera sopi säveltäjä Leoš Janáčekille. Se oli hänelle luonteva muoto kuvata tunteita, omiaankin. Hän rakastui naimisissa olevaan, 38 vuotta itseään nuorempaan naimisissa olevaan naiseen. Kamila pysyi saavuttamattomana, joten säveltäjämestari kirjoitti hänet musiikkiinsa ja myös Katjan hahmoon. Katjan monologeissa on valtava ilmaisuvoima. Hän on musiikissa läsnä silloinkin, kun ei laula. 

Esitys on Prahan kansallisoopperan, Národní divadlon vierailu. Sopii yli 12-vuotiaille.

VIERAANA YKSI EUROOPAN SUURIMMISTA OOPPERATALOISTA
Vieraamme on suuri oopperatalo Euroopan ytimestä. Sen vaiheet ovat osa eurooppalaista historiaa halki natsimiehityksen ja kommunismin. Haastavinakin aikoina sen hengessä on ollut jotakin erityisen houkuttelevaa.  

Kun Prahan ooppera vieraili Oopperajuhlilla vuonna 1991, talon dramaturgi kertoi Helsingin Sanomissa: ”Monet kansainväliset laulajat vierailevat Prahassa. Prahan oopperalla ei ole tosin ulkomaanvaluuttaa, jolla maksaa heille. Se ei ole kuitenkaan ongelma, koska vierailevat laulajat eivät nykyisessä tilanteessa edes halua rahaa. He haluavat vain laulaa rakastamassaan Prahan oopperassa.”  

Ajat ovat muuttuneet, mutta rakkaus pysyy.

suomi

Katya Kabanova by Janáček, Frá (2024/2024), Leikstýrt af Calixto Bieito,, Hljómsveitarstjóri Robert Jindra, Olavinlinna Castle, Savonlinna, Finland

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