Name: Klaus Mäkelä Janine Jansen
Start: 2023-10-12T00:00:00.000Z
End: 2023-10-12T00:00:00.000Z
Location: Konserthus

Organization

Admin

Oslo Philharmonic

Conductor

Klaus Mäkelä

Orchestra

Instrumentalist

Janine Jansen

Violin

violin

Klaus Mäkelä Janine Jansen

Oslo

Norway

Konserthus

Klaus Mäkelä Janine Jansen: Kunstnerens fortvilelse foran de antikke fragmenters storhet Hagen, L. P. (+2 More)

Public

Concert

Kunstnerens fortvilelse foran de antikke fragmenters storhet

Violin Concerto in D Minor, op. 47

A Hero's Life, op. 40

Joshua Dos

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Soprano

Contralto

Mezzo-soprano

Baritone

Tenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Janine Jansens Sibelius
Klaus Mäkelä dirigerer musikk av Lars Petter Hagen, Jean Sibelius og Richard Strauss, som bearbeider fortiden på vidt forskjellige måter i verkene på programmet. Janine Jansen er solist i Sibelius’ Fiolinkonsert.

Lars Petter Hagen (f. 1975) skrev Kunstnerens fortvilelse foran de antikke fragmenters storhet for Oslo-filharmonien, som urfremførte verket i 2010. Tittelen er hentet fra en berømt tegning av Johann Heinrich Füssli der en kunstner begraver ansiktet i hendene foran romerske ruiner – uoppnåelig vakre i all sin forgjengelighet. Hagens ruiner er Richard Strauss’ og Gustav Mahlers musikk, og utgangspunktet for stykket er Mahlers tredje symfoni. Som antikkens kunstnere etablerte de rammer for sin kunstform som ettertidens komponister må forholde seg til.

Jean Sibelius (1865–1957) begynte med fiolintimer da han var 14 år, og ble snart fullstendig oppslukt av instrumentet. Det neste tiåret var hans drøm å bli konsertfiolinist, men til slutt ga han opp og satset i stedet på komposisjon. Sibelius’ Fiolinkonsert ble hans ulykkelige kjærlighetserklæring til fiolinen, og første versjon var så teknisk vanskelig at solistene ikke mestret utfordringene. Den ble etter hvert en av de mest populære fiolinkonsertene, med helt ulike satser som spenner fra en kjølig innledning til en sprudlende intens avslutning.

Richard Strauss (1864–1949) nådde på 1890-tallet nye høyder som dirigent og komponist. Han fullførte i 1898 det symfoniske diktet Ein Heldenleben i Berlin, der han hadde blitt ansatt som dirigent for hoffoperaen. Også Strauss måtte forholde seg til fortidens mesterverk – særlig til Beethovens tredje symfoni Eroica. Begge verk tar for seg det heroiske og heltens liv, Eroica skulle opprinnelig tilegnes Napoleon. Mye tyder på at Ein Heldenleben er et slags selvportrett der Strauss beskriver seg selv, sin kone og sine argeste kritikere i musikken.

norsk

Janine Jansen's Sibelius
Klaus Mäkelä conducts music by Lars Petter Hagen, Jean Sibelius, and Richard Strauss, who process the past in very different ways in the works in the program. Janine Jansen is the soloist in Sibelius' Violin Concerto.

Lars Petter Hagen (b. 1975) wrote Kunstnerens fortvilelse foran de antikke fragmenters storhet (The Artist's Despair Before the Grandeur of Ancient Ruins) for the Oslo Philharmonic, who premiered the piece in 2010. The title is taken from the famous drawing by Johann Heinrich Füssli in which an artist buries his face in his hands in front of Roman ruins - unattainably beautiful in all their transience. Hagen's ruins are Richard Strauss' and Gustav Mahler's music, and the starting point for the piece is Mahler's third symphony. As the artists of antiquity, they established frameworks for their art form that later composers must relate to.

Jean Sibelius (1865-1957) started violin lessons when he was 14 years old and was soon completely absorbed by the instrument. In the next decade, he dreamed of becoming a concert violinist, but eventually, he gave up and focused instead on composition. Sibelius' Violin Concerto became his unhappy declaration of love for the violin, and the first version was so technically difficult that the soloists did not master the challenges. 

In the 1890s, Richard Strauss (1864-1949) reached new heights as a conductor and composer. In 1989 he finished the symphonic poem Ein Heldenleben in Berlin, where he was employed as a conductor of the court opera. Strauss also had to deal with the masterpieces of the past - especially Beethoven's third symphony Eroica. Both works deal with the heroic and the hero's life; Eroica was originally intended to be dedicated to Napoleon. There are many indications that Ein Heldenleben is a kind of self-portrait in which Strauss describes himself, his wife, and his fiercest critics in music.

English

Klaus Mäkelä Janine Jansen by Hagen, L. P., Sibelius, Strauss, Alates (2023/2023), Dirigent Klaus Mäkelä, Konserthus, Oslo, Norway

Etenduse krediiti (Näitlejad ja meeskond )

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad