Organization

Śpiewak

Mezzosopran

Chiara Amarù

Angelina

Tenor

Antonino Siragusa

Don Ramiro

Baryton

Nicola Alaimo

Dandini

Andrea Vincenzo Bonsignore

Vincenzo Taormina

Don Magnifico

Sopran

Sonia Ciani

Clorinda

Aloisa Aisemberg

Tisbe

Gabriele Sagona

Alidoro

Reżyseria

Emma Dante

Dyrygent

Nikolas Nägele

Reżyseria światła

Cristian Zucaro

Kostiumy

Vanessa Sannino

Scenografia

Carmine Maringola

Choreografia

Manuela Lo Sicco

Przygotowanie chóru

Gea Garatti Ansini

Teatro Comunale di Bologna

Teatro dell'Opera di Roma

Others

Coro del Teatro Comunale di Bologna

Orchestra

Orchestra del Teatro Comunale Bologna

La Cenerentola -  (Kopciuszek)

Bolonia

Włochy

DIRECTOR Nikolas Nägele DIRECTOR Emma Dante Orchestra, Chorus and Technicians of the Municipal Theater of Bologna CAST DON RAMIRO Antonino Siragusa DANDINI Nicola Alaimo DANDINI Andrea Vincenzo Bonsignore DON MAGNIFICO Vincenzo Taormina CLORINDA Sonia Ciani TISBE Aloisa Aisemberg ALIDORO Gabriele Sagona ANGELINA called CENERENTOLA Chiara Amarù in acts on libretto by Jacopo Ferretti Rossini's Cenerentola is configured as a work of disguise and transformation, both in history and in musical motifs. The most miraculous transformation of all is, of course, the one to which the protagonist, Angelina, is subject: the naive girl who, when the curtain rises, in a world of comic opera characters gradually becomes a mature and regal woman. Production of the Teatro dell'Opera di Roma Presenting Partner ALFASIGMA

La Cenerentola Rossini

Public

Private

Kopciuszek

Approved

Tales hide under their stories, whether tragic or funny but always engaging and understandable for readers of any age, a network of meanings that concern fundamental aspects of the human being. Michela Murgia will help us to read between the lines of the tale of Cinderella and Rossini's work, revealing aspects that deeply involve us even in our daily and contemporary life.

Rossini's Cenerentola is configured as a work of disguise and transformation, both in history and in musical motifs. The most miraculous transformation of all is, of course, the one to which the protagonist, Angelina, is subject: the naive girl who, when the curtain rises, in a world of comic opera characters gradually becomes a mature and regal woman.

English

Kopciuszek by Rossini, od (2021/2021), W reżyserii Emma Dante,, Dyrygent Nikolas Nägele, Teatro Comunale di Bologna, Bolonia, Włochy

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Ensemble

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