Organization

Direction d'orchestre

Ralf Weikert

Mise en scène

Pet Halmen

Décors

Costumes

Lumières

Eduard Stipsits

Chanteur

Ténor

Zoran Todorovich

Titus

Soprano

Véronique Gens

Vitellia

Dawn Kotoski

Servilia

Contre-ténor

Annette Seiltgen

Sextus

Debora Beronesi

Annius

Basse

Alfonso Echeverría

Publius

Teatro Real de Madrid

Others

Choir of the Community of Madrid

Orchestra

Orquesta Sinfónica de Madrid

La clemenza di Tito -  (La Clémence de Titus)

Madrid

Espagne

Teatro Real

La clemenza di Tito is one of W.A. Mozart's last three great works and his last serious opera. It had been many years since he had written a work in this style and it was because of a commission that he returned to it. He wrote La clemenza di Tito, numbered K 621, when he had almost finished The Magic Flute (K 620) and at a time when he was considering, because of the famous and mysterious commission, the creation of his Requiem, which would be an immortal work for others and mortal for the composer himself (K 626). The numerations themselves already show that they occupy the highest figures in a work as abundant as it is surprising in a man who died at the age of 35. Listening to La clemenza, we must therefore place ourselves in the vitally convulsive moments of great creativity that preceded his death.

La clemenza di Tito

Public

La Clémence de Titus

Valide

La Clémence de Titus by Mozart, Du (1999/1999), Dirigé par Pet Halmen,, Chef d'orchestre Ralf Weikert, Teatro Real, Madrid, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles