Organization

Choreografia

Norman Arthur Dixon

Dinko Bogdanić

Dyrygent

Hari Zlodre

Reżyseria światła

Srđan Barbarić

Scenografia

Slaven Raos

Kostiumy

Diana Kosec Bourek

Reżyseria

Realizacja dźwięku

Petar Ivanišević

Śpiewak

Igor Gluškov

Mutter Simone

Lev Šapošnikov

Eva Karpilovska

Lise

Hazuki Eva Tanase

Ivan Boiko

Colas

Artjom Žusov

Aleksandr Korjakovski

Alain

Remus Dimache

Dmitrij Rodikov

Vater Thomas

HNK Split

Orchestra

HNK Split Orchestra

Ballet

HNK Split Ballet

La Fille mal gardée

Split

Chorwacja

La Fille mal gardée Hérold

Public

Approved

An eclectic score of French composer Ferdinand Hérold, rich in quotations from Rossini’s and Donizetti's operas and music by Mozart and Haydn, enables dance variations marked with expression, mime and pantomime, representing one of the main reasons why this cheerful ballet has been kept alive throughout its long performance history by way of many revivals.

A simple sentimental story about two young farmers in love separated by class differences was inspired in the era of romantic literature and opera buffa. In the past two centuries the ballet has undergone many musical changes by different authors, and today is normally presented in one of two different versions.The one from 1903, production derived from Alexander Gorsky’s version to the music of Peter Ludwig Hertel, edited by Riccardo Drigo was based on the choreography of Marius Petipa and Lev Ivanov, from the 19th century. Modern audiences are perhaps most familiar with the production staged by Frederick Ashton for the London Royal Ballet in 1960 set to the music of Louis Joseph Ferdinand Hérold and edited by John Lanchberyin 1828.

The last Split version of La Fille mal gardée was staged by the British choreographer and long-time guest of Croatian theatre scene Norman Dixon in 1988.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble