Organization

Choreographer

Norman Arthur Dixon

Dinko Bogdanić

Conductor

Hari Zlodre

Lighting designer

Srđan Barbarić

Set designer

Slaven Raos

Costume designer

Diana Kosec Bourek

Stage director

Sound designer

Petar Ivanišević

Singer

Igor Gluškov

Mutter Simone

Lev Šapošnikov

Eva Karpilovska

Lise

Hazuki Eva Tanase

Ivan Boiko

Colas

Artjom Žusov

Aleksandr Korjakovski

Alain

Remus Dimache

Dmitrij Rodikov

Vater Thomas

HNK Split

Orchestra

HNK Split Orchestra

Ballet

HNK Split Ballet

La Fille mal gardée

Split

Croatia

La Fille mal gardée Hérold

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Tenor

Bass-baritone

Soprano

Baritone

Bass

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

An eclectic score of French composer Ferdinand Hérold, rich in quotations from Rossini’s and Donizetti's operas and music by Mozart and Haydn, enables dance variations marked with expression, mime and pantomime, representing one of the main reasons why this cheerful ballet has been kept alive throughout its long performance history by way of many revivals.

A simple sentimental story about two young farmers in love separated by class differences was inspired in the era of romantic literature and opera buffa. In the past two centuries the ballet has undergone many musical changes by different authors, and today is normally presented in one of two different versions.The one from 1903, production derived from Alexander Gorsky’s version to the music of Peter Ludwig Hertel, edited by Riccardo Drigo was based on the choreography of Marius Petipa and Lev Ivanov, from the 19th century. Modern audiences are perhaps most familiar with the production staged by Frederick Ashton for the London Royal Ballet in 1960 set to the music of Louis Joseph Ferdinand Hérold and edited by John Lanchberyin 1828.

The last Split version of La Fille mal gardée was staged by the British choreographer and long-time guest of Croatian theatre scene Norman Dixon in 1988.

English

La Fille mal gardée by Hérold, Od (2020/2020), Režie Norman Arthur Dixon,, Dirigent Hari Zlodre, HNK, Split, Croatia

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor

Program, Informace a Synopsis

Fotografie

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