Organization

Conductor

Simon Krečič

Stage director

Hugo De Ana

Set designer

Costume designer

Lighting designer

Valerio Alfieri

Chorus master

Luka Vukšić

Choreographer

Michele Cosentino

Matija Fortuna

Singer

Soprano

Darija Auguštan

Magda

Marija Kuhar Šoša

Lisette

Tenor

Stjepan Franetović

Ruggero

Martin Sušnik

Prunier

Baritone

Siniša Hapač

Rambaldo

Bass-baritone

Marin Čargo

Perichaud

Josipa Bilić

Yvette

Josipa Gvozdanić

Bianca

Mezzo-soprano

Helena Lucić Šego

Suzy

Barbara Pijetlović

Georgette

Tvrtko Stipić

Gobin

Dea Quivlaku

Gabriella

Nela Katalenić

Lolette

Associate Costume Designer

Cristina Aceti

Assistant Costume designer

Mia Rejc Prajninger

Assistant Set designer

Nathalie Deana

Nina Franulović

Damir Klačar

Matic Zakonjšek

Ljubomir Puškarić

Benjamin Šuran

Crébillon

Bass

Jurica Jurasić Kapun

A butler

Nikolina Hrkać

A singer

HNK Zagreb

Orchestra

Orkestar Opere Hrvatskoga Narodnog Kazalista u Zagrebu

Others

Choir HNK Zagreb

La rondine -  (The Swallow)

Zagreb

Croatia

La rondine Puccini

Public

The Swallow

Approved

The swallow, La rondine, premiered in Monte Carlo in 1927, remains Puccini's lesser-known work from his mature phase. Puccini completed the score to a libretto by Giuseppe Ademi in 1916 after two years of work, and it was premiered at the Salle Garnier in Monte Carlo on March 27, 1917. The opera was originally commissioned by the Vienna Karltheater; however, the outbreak of the First World War prevented the premiere from taking place there. The publisher Ricordi, then headed by Giulio's son Tito, refused to publish the score of the opera, labeling it as a bad Lehar. Their rival, Lorenzo Sonzogno, took the score and arranged the first performance in neutral Monaco. Puccini continued to work on revising this, his least known mature opera, until his death. The Swallow was initially conceived as an operetta, but Puccini eliminated the spoken dialogue, making the work closer to opera in form.a continuous fabric of rapturous waltz melodies, catchy pop-style melodies and nostalgic love music , and characterized the action as a recycling of characters and events from works such as La Traviata and Šišmiš.

English

Lastavica, La rondine, praizvedena u Monte Carlu 1927., ostala je manje poznato Puccinijevo djelo iz zrele faze. Puccini je partituru na libreto Giuseppea Ademija dovršio 1916. poslije dvije godine rada, a praizvedena je u Salle Garnier u Monte Carlu 27.ožujka 1917. Operu je izvorno naručio bečki Karltheater; međutim, izbijanje Prvog svjetskog rata spriječilo je da se premijera tamo i održi. Izdavač Ricordi, na čelu kojega je tada Giulijev sin Tito, odbio je izdati partituru opere, etiketirajući je kao lošega Lehara. Njihov suparnik, Lorenzo Sonzogno, uzeo je partituru i dogovorio prvu izvedbu u neutralnome Monacu. Puccini je nastavio raditi na reviziji ove, svoje najmanje poznate zrele opere, sve do svoje smrti. Lastavica je u početku bila zamišljena kao opereta, ali je Puccini eliminirao govorni dijalog, čineći djelo oblikom bliže operi. Jedan od suvremenih recenzenata opisao je djelo kao kontinuiranu tkaninu ushićenih melodija valcera, privlačnih melodija u pop stilu i nostalgične ljubavne glazbe, a radnju okarakterizirao kao recikliranje likova i događaja iz djela poput Traviate i Šišmiša.

hrvatski

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Posadka

Ansambel