Organization

Cantante

Soprano

Sophia Brommer

Violetta Valéry

Irina Simmes

Tenore

Daniel Pataky

Alfredo Germont

Baritono

Evgueniy Alexiev

Giorgio Germont

Frank Dolphin Wong

Caio Monteiro

Il barone Douphol

Basso

Yoshiaki Kimura

Il marchese d'Obigny

Moon Soo Park

Il dottore Grenvil

Yun Geun Choi

Domestico

Ramon Riemarzik

Tae-Woon Jung

Paata Tsivtsivadze

Direzione d'orchestra

Alexander Kalajdzic

Gregor Rot

Regia

Nadja Loschky

Scenografia

Katrin Connan

Costumi

Katharina Schlipf

Direzione del coro

Hagen Enke

Drammaturgia

Anne Christine Oppermann

Hasti Molavian

Flora

Liang-Hua Gong

Gastone

Krzysztof Gornowicz

Mezzosoprano

Annika Brönstrup

Anina

In-Kwon Choi

Giuseppe

Theater Bielefeld

italiano

La Traviata -  (La traviata)

Bielefeld

Germania

Stadttheater

La traviata Verdi

La traviata

tedesco

Approvato

Für die an Tuberkulose erkrankte Violetta Valéry ist der Tod ein ständiger Begleiter. Trotzdem – oder gerade deswegen? – wagt sie voller Kraft und Lebensfreu...

On the occasion of her alleged recovery from tuberculosis, Violetta Valéry throws a lavish party. She feels it very well: This time she may have cheated death once again, but in the end she was given little extra time. The nearness of death gives her the courage to question her life so far. Could young Alfredo Germont's adoring love offer a way out of the adored but lonely life as Paris's most sought-after courtesan? It lures the promise of the long-awaited true love. Alfredo can see past her past, but is that enough for a radical new start? Despite the social attitude and the premonition of death, Violetta dares to venture into the unknown. Amore e morte - love and death– Giuseppe Verdi initially wanted his opera based on the novel The Lady of the Camellias by Alexandre Dumas the Elder. call J. A title that, due to its vagueness, could apply to a large part of the opera repertoire, but rarely seems as appropriate as for the story of Violetta Valéry, which unfolds in the areas of tension between true love and love for sale, longing for death and fear of death. From the very first sounds of the overture, Verdi's music focuses on the inner experience of the protagonist, whose constant companion is death, yet who rebels, full of strength and joie de vivre.

After the disastrous failure of the premiere in 1853, La Traviata became one of the most popular operas in music history, in keeping with the assessment of its creator: »As a professional I consider Rigoletto my best work, but as a lover I consider La Traviata .«

English

La traviata by Verdi, Da (2018/2019), Diretto da Nadja Loschky,, Direttore d'orchestra Alexander Kalajdzic, Gregor Rot, Stadttheater, Bielefeld, Germania

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