Organization

Singer

Soprano

Adela Zaharia

Violetta Valery

Tenor

Attilio Glaser

Alfred Germont

Baritone

Jürgen Kurth

The Baron Douphol

Hinrich Horn

Stage director

Andreas Homoki

Conductor

Enrico Calesso

Matthias Stier

Olga Jelínková

Patrick Vogel

Franz Xaver Schlecht

George Germont

Sandra Janke

Flora Bervoix

Dan Karlström

Gaston

Bass

Jean-Baptiste Mouret

The doctor Grenvil

Wenzheng Tong

The Marquis of Obigny

Mezzo-soprano

Stefania Abbondi

Annina

Lighting designer

Michael Röger

Costume designer

Gabriele Jaenecke

Set designer

Frank Philipp Schlößmann

Chorus master

Alexander Stessin

Gewandhaus Leipzig

Oper Leipzig

Orchestra

Gewandhausorchester

italų

La Traviata -  (La traviata)

Leipzig

Germany

Opernhaus

La traviata Verdi

Public

Private

La traviata

vokiečių

Approved

»La Traviata« marks the conclusion of the masterful operatic triad that Verdi wrote in the years 1850-52. Once again he was inspired by an outsider figure: After the fool in »Rigoletto« and the gypsy Azucena in »Trovatore«, the courtesan Violetta Valéry is a character at the center of the opera whose charisma even surpasses that of her predecessors. The Parisian half-world is the setting of this story about the unconditional and hopeless love between Alfred Germont and the terminally ill Violetta, a love that is not only confronted with death from the beginning, but also with the norms of bourgeois morality and family honor.

But it is only through Verdi's music that the major themes of love, death and morality come into their own within the plot. Verdi composed less the morbid charm of the holy whore, the passion of the young bourgeois lover, the twilight of the milieu and the morality of the father than the interaction of all these moments. His most popular opera is about more than the ordeal of an outsider: unstable mental inner worlds and social conditions are drastically confronted with one another.

English

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