Name: La Traviata
Start: 2013-12-20T00:00:00.000Z
End: 2014-06-22T00:00:00.000Z
Location: Europejskie Centrum Sztuki - Opera i Filharmonia Podlaska

Organization

Singer

Bass

Grzegorz Szostak

The Marquis of Obigny

Wiktor Dudar

The doctor Grenvil

Wojtek Gierlach

Krzysztof Drugow

Flora's Servant

Bogdan Kordy

Conductor

Michał Klauza

Stage director

Roberto Skolmowski

Set designer

Paweł Dobrzycki

Chorus master

Violetta Bielecka

Soprano

Agnieszka Dondajewska

Violetta Valery

Iwona Sobotka

Dorota Wójcik

Tenor

Rafał Bartmiński

Alfred Germont

Przemysław Borys

Tomasz Kuk

Sang-Jun Lee

Baritone

Zenon Kowalski

George Germont

Ilya Silchukov

Gaston

Mariusz Ruta

Krzysztof Caban

The Baron Douphol

Taras Kuźmych

Maciej Nerkowski

Joanna Motulewicz

Flora Bervoix

Sylwia Złotkowska

Mezzo-soprano

Karolina Kuklińska

Annina

Anna Filimowska-Wolfinger

Tomasz Tracz

Giuseppe

Leszek Gaiński

Opera Podlaska

Others

Choir and Children’s Choir

italiană

La Traviata -  (La traviata)

Bialystok

Poland

Europejskie Centrum Sztuki - Opera i Filharmonia Podlaska

La traviata Verdi

Public

La traviata

poloneză

Approved

Iwona Sobotka: Verdi - La Traviata, 'E strano! Ah, forse e lui... Follie! Sempre libera'

Verdi - La Traviata, 'E strano! Ah, forse e lui... Follie! Sempre libera'

This is Giuseppe Verdi’s most personal opera. The fate of Parisian courtesan Violetta Valéry is a love story that transgressed the social conventions of her time. The composer aimed to show events happening there and then, which were rooted in the double moral standards governing the society: the miserable position of women and the depraving force of money. Consequently, Verdi was greatly inspired by ‘boulevard theatre,’ where plays were informed by everyday life. His second inspiration was the French capital. The source of “La Traviata” is an attack on the moral laissez-faire of Paris. Both the subject and the dramatic tension of the work were ahead of its time, forcing viewers to undergo a katharsis, shattering their peace of mind—consequently, the premiere was a complete flop. However, Verdi’s passionate, moving score secured that “La Traviata” occupied its due place in the history of the genre, and is still performed with success at the greatest scenes of the world.

English

Creditele spectacolului (Distribuție și Echipa )

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