Name: La Traviata
Start: 2014-07-01T00:00:00.000Z
End: 2014-07-11T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Soprano

Marlis Petersen

Violetta Valery

Tenor

Arturo Chacón-Cruz

Alfred Germont

Baritone

Roberto Frontali

George Germont

Andrew Owens

Gaston

Ben Connor

The Baron Douphol

Bass

Igor Bakan

The doctor Grenvil

Conductor

Sian Edwards

Stage director

Peter Konwitschny

Set designer

Johannes Leiacker

Costume designer

Lighting designer

Joachim Klein

Chorus master

Erwin Ortner

Mezzo-soprano

Gaia Petrone

Annina

Iwona Sakowicz

Flora Bervoix

Dramaturge

Bernd Krispin

Editing of the surtitles

MusikTheater an der Wien

italijanščina

La Traviata -  (La traviata)

Vienna

Austria

Theater an der Wien

La traviata

nemščina

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Never before the world premiere of La traviata in 1853 had such a topical, scandalous subject hit the opera stage: the courtesan Marie Duplessis had only died of consumption in Paris in 1847 - her lover Alexandre Dumas the Younger made her the heroine of his novel The Lady of the Camellia in 1848 , In 1852 he turned her fate into a drama. At the time, Giuseppe Verdi was looking for material for a new opera for the Teatro La Fenice in Venice. When he read The Lady of the Camellias in October 1852 , he rejected all previous plans: That was the story in which he was able to convey his ideas of human dignity and love in a moving way.

The courtesan Violetta Valéry suffers from consumption. The Demimonde Society follows their waning. Then Alfredo, a young man from a good family, falls in love with her. He wants to save her and persuades her to turn away from her previous way of life. The two move to the country. Alfredo's bourgeois father disgusts his son's relationship with a “fallen woman”. In Alfredo's absence, he speaks to Violetta, referring to his daughter, who no one wants to marry if her brother lives with a courtesan. Does Violetta want to spoil the innocent young woman's life? Violetta leaves Alfredo and resumes her old job. Offended and jealous, he publicly humiliates Violetta. When Violetta is dying, Alfredo returns to her. In the meantime his father has confessed to him why Violetta left. But it's too late, Violetta dies in Alfredo's arms.

Verdi originally wanted to name the opera Amore e morte (love and death) . From the beginning his music points to Violetta's death, Verdi gives this figure an almost mystical grandeur. However, the censors did not agree with a work that elevated a courtesan to a saint. The title had to be changed to La traviata (The Lost Way) and the action moved to the year 1700 in order to at least weaken the decoupling of the bourgeois double standard. That couldn't stop the success of Verdi's masterpiece: to this day, Verdi's La traviata continues to challenge new interpretations.

English

La traviata by Verdi, Od (2014/2014), Režija: Peter Konwitschny,, Dirigent Sian Edwards, Theater an der Wien, Vienna, Austria

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