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Sänger

Sopran

Nicola Beller Carbone

Casilda

Maite Alberola

Milagros Martín

no casting tool

Sandra Ferrández

Bariton

Angel Odena

Peribáñez

César San Martín

Tenor

Jorge de León

Don Fadrique

Andeka Gorrotxategi

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Rubén Amoretti

David

Manuel Mas

Javier Tomé

Olmedo

Ricardo Muñiz

Miguel Ángel

Dirigat

Miguel A. Gomez-Martinez

Eduardo Portal

Regie

Natalia Menéndez

Kostümbild

María Araujo

Bühnenbild

Nicolás Boni

Chordirektion

Antonio Fauró

Teatro Lírico Nacional de la Zarzuela

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Coro del Teatro de La Zarzuela

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Joven Orquesta y Coro de la Comunidad de Madrid

La villana

Madrid

Spanien

Teatro de la Zarzuela

La villana Vives

Public

Genehmigt

Zarzuela basada en el drama sobre la honra villana "Peribáñez y el Comendador de Ocaña", de Lope de Vega.
Despite the fact that it is now more than thirty years since La villana (The village girl) last “visited” the Teatro de la Zarzuela stage, through most of the twentieth century this was one of the theatre’s most iconic works. Now, for the first time this century, and after that gap of more than three decades, the work is back on these historic boards, and something that without a doubt should be seen as an event of the first magnitude is taking place. The coming together of this famous work’s three authors, the writers Federico Romero and Guillermo Fernández Shaw, and the composer Amadeo Vives, is an example of the very best of its time – as came to be evident again later with La rosa del azafrán.
La villana, as offered here, makes an unbroken aesthetic trip through the centuries, swept along by the music of Vives, in which he combines tradition, popular elements, and highly crafted melody with impressive balance. The prevalence of joy is one of the features that define his composition. And riding on the back of these luminous melodies, the visual feast on stage sits perfectly.

English

La villana by Vives, Ab (2017/2017), Unter der Regie von Natalia Menéndez,, Dirigat Miguel A. Gomez-Martinez, Eduardo Portal, Teatro de la Zarzuela, Madrid, Spanien

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