Organization

Conductor

Ryan Wigglesworth

Elizabeth Kenny

Stage director

Polly Graham

Singer

Mezzo-soprano

Julia Portela Piñón

Agnes

Arianna

Royal Academy Opera

ROYAL ACADEMY OPERA TRIPLE BILL

London

United Kingdom

Lamento d'Arianna Monteverdi (+2 More)

Public

Lament of Ariadne

Ariadne on Naxos

WITCH

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Baritone

Soprano

Countertenor

Bass-baritone

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

This triple bill centres around stories of women. Monteverdi’s Lamento d’Arianna and the bustling Prologue to Strauss’s Ariadne auf Naxos both look at the story of Ariadne – who was abandoned by Theseus on Naxos – but from very different perspectives. Monteverdi’s searing vocal writing takes us to the heart of Ariadne’s pain and anger, while Strauss and librettist Hofmannsthal dance around the story with a meta-theatrical narrative. WITCH, a newly commissioned opera by Freya Waley-Cohen with a libretto by Ruth Mariner, inspired by the occult poetry of Rebecca Tamás, offers two interwoven narratives that reclaim the idea of female agency and desire. This is a magical realist coming-of-age story, set against the backdrop of the historical horror of what it has meant to be a woman fighting for power and freedom.

English

ROYAL ACADEMY OPERA TRIPLE BILL by Monteverdi, Strauss, Waley-Cohen, Alates (2022/2022), Juhatatud Polly Graham,, Dirigent Ryan Wigglesworth, Elizabeth Kenny

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad