Organization

Chanteur

Baryton

Davide Luciano

Le Sergent Belcore

Mise en scène

Bartlett Sher

Décors

Michael Yeargan

Costumes

Catherine Zuber

Lumières

Jennifer Tipton

Direction d'orchestre

Michele Gamba

Soprano

Golda Schultz

Adina

Amanda Woodbury

Aleksandra Kurzak

Ténor

Javier Camarena

Nemorino

Xabier Anduaga

Jonah Hoskins

Michael Sumuel

Joshua Hopkins

Basse

Ambrogio Maestri

Le Docteur Dulcamara

Alex Esposito

Brittany Renee

Giannetta

Magdalena Kuźma

The Metropolitan Opera

Others

Metropolitan Opera Choir

Orchestra

Metropolitan Opera Orchestra

italien

L'elisir d'amore -  (L'Élixir d'amour)

New York

États-Unis

Metropolitan Opera House

L'elisir d'amore Donizetti

Public

L'Élixir d'amour

anglais

allemand

espagnol

Valide

Domingo Hindoyan conducts the Metropolitan Opera Orchestra in a live performance of Donizetti's L'Elisir d'Amore.  2017–18 season.

0:09 / 2:00   L'Elisir d'Amore: Overture

Donizetti’s heartwarming comedy stars some of today’s most celebrated bel canto singers as the spunky landowner and the hapless peasant in search of love. Radiant sopranos Golda Schultz and Aleksandra Kurzak alternate as Adina, trading barbs and embraces with tenors Javier Camarena and Xabier Anduaga, in his Met debut, as Nemorino. Italian maestro Michele Gamba also makes his company debut conducting Bartlett Sher’s madcap staging, which features baritones Davide Luciano and Joshua Hopkins as the swaggering Sgt. Belcore and baritone Ambrogio Maestri and bass-baritone Alex Esposito as the lovable huckster Dr. Dulcamara.

World premiere: Teatro Cannobiana, Milan, 1832. L’Elisir d’Amore has been among the most consistently popular operatic comedies for almost two centuries. The story deftly combines comic archetypes with a degree of genuine character development rare in works of this type. Its ending is as much a foregone conclusion as it would be in a romantic comedy film today—the joy is in the journey, and Donizetti created one of his most instantly appealing scores for this ride.
 
Creators
Gaetano Donizetti (1797–1848) composed about 75 operas in a career abbreviated by mental illness and premature death. Most of his works disappeared from the public eye after his death, but critical and popular opinion of his huge opus has grown considerably over the past 50 years. Felice Romani (1788–1865) was the official librettist of Milan’s Teatro alla Scala and worked with Donizetti on several other operas.

Setting
The opera is set in a small village in rural Italy. Some early editions indicate a location in Basque country. The important fact is that it’s a place where everyone knows everyone and where traveling salesmen provide a major form of public entertainment. The Met’s production sets the action in 1836, when the Risorgimento, the movement for Italian independence, was beginning to gather momentum.
 
Music
What separates L’Elisir d’Amore from dozens of charming comedies composed around the same time is not only the superiority of its hit numbers but the overall consistency of its music. It represents the best of the bel canto tradition that reigned in Italian opera in the early 19th century—from funny patter songs to rich ensembles to wrenching melody in the solos, most notably the tenor’s show-stopping “Una furtiva lagrima” in Act II. Its variations between major and minor keys in the climaxes are one of opera’s savviest depictions of a character’s dawning consciousness.

English

L'Élixir d'amour by Donizetti, Du (2023/2023), Dirigé par Bartlett Sher,, Chef d'orchestre Michele Gamba, Metropolitan Opera House, New York, États-Unis

Crédits de représentation (Distribution et équipe de production )

Distribution

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Programme, À Propos & Synopsis

Vidéos

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