Name: L'Enfant et les sortilèges
Start: 2022-09-24T00:00:00.000Z
End: 2023-05-10T00:00:00.000Z
Location: National Moravian-Silesian Theatre

Organization

Stage director

Juraj Čiernik

Pianist

Michal Bárta

Set designer

David Bazika

Costume designer

Dramaturge

Juraj Bajús

Translator

Jan Stych

Singer

Mezzo-soprano

Lenka Rúriková

The child

Karolina Berkova

Contralto

Anna Nitrová

The mother

Bass

Eva Dřízgová-Jirušová

The armchair

Anita Schwarz

The Chinese teacup

Tatiana Ryba

Soprano

Ivanka Ninova

The fire

Natálie Podškubková

Baritone

Barbora Dudková

The male cat

The dragonfly

Gabriella Varvari

A nightingale

The bat

The owl

Helena Lucić Šego

The squirrel

Alexandar Panayotov

A shepherdess

Václav Morys

A shepherd

Miroslav Lacko

Aleš Pirnos

Pavel Divín

Matej Juchelka

Arithmetic

The tree

Tenor

The tree frog

Conductor

Paolo Gatto

Martin Pančocha

Lucie Hubená

Patrícia Smoľáková

The princess

The teapot

Aneta Schwarzová

Isabela Ufrlová

Ivana Migová

Sára Marie Skopalová

The female cat

Ihor Maryshkin

The Grandfather clock

Konvice

National Moravian-Silesian Theatre

tysk

L'Enfant et les sortilèges -  (The Child and the Spells)

Ostrava

Czech Republic

L'Enfant et les sortilèges Ravel

Public

The Child and the Spells

tjekkisk

engelsk

Approved

Libreto Sidonie-Gabrielle Colette (1873–1954)Režie Juraj Čiernik„Keng-ca-fou... Mah-joug... Nerozuměla, mladý pán?... Ca-oh-ra? On rozbila čínská porcelán!“R...

Libretto by Sidonie-Gabrielle Colette (1873–1954) Directed by Juraj Čiernik Ravel's opera-ballet with the subtitle fantasy in two parts is not often seen on Czech stages. It was staged at the National Theater in Prague only in 1927 (in 2000, its music only appeared as background for Jiří Kylián's very successful ballet production). All the more interesting was the production of the South Bohemian Theater in České Budějovice, which performed the piece of the year 2016 as a family opera. NDM will choose a similar approach in the upcoming production, as the opera will be intended primarily for children. The libretto was created by a writer named Colette and it is a fairytale story of a disobedient boy who torments animals and destroys nature and things around him. However, things come to life and rebel against the naughty child, the trees and animals complain about the garden. Experienced fear will teach the child enough, and love and kindness will eventually find a place in his heart. The piece provided Ravel with inspiration for danceable and rhythmically expansive music that never got old for its wit. It is a classic example of an impressionistic score, made special by a whole series of sound-painting effects. We present the opera as part of the Ostrava Opera Academy, the FU OU project and the NDM Opera.

CHILD AND MAGIC – teaser – Moravian-Silesian National Theater

“Keng-ca-fou... Mah-joug... Did she not understand, young master?... Ca-oh-ra? He broke Chinese porcelain!”

Ravel's opera-ballet subtitled  fantasy in two parts is not often seen on Czech stages. It was staged at the National Theater in Prague only in 1927 (in 2000, its music only appeared as background for Jiří Kylián's very successful ballet production). All the more interesting was the production of the South Bohemian Theater in České Budějovice, which performed the piece of the year 2016 as a family opera. NDM will choose a similar approach in the upcoming production, as the opera will be intended primarily for children. The libretto was created by a writer named Colette and it is a fairytale story of a disobedient boy who torments animals and destroys nature and things around him. However, things come to life and rebel against the naughty child, the trees and animals complain about the garden. Experienced fear will teach the child enough, and love and kindness will eventually find a place in his heart. The pattern provided Ravel with inspiration for dance and rhythmically expansive music, which never got old for its wit. It is a classic example of an impressionistic score, made special by a whole series of sound-painting effects.

English

„Keng-ca-fou... Mah-joug... Nerozuměla, mladý pán?... Ca-oh-ra? On rozbila čínská porcelán!“

Ravelova opera-balet s podtitulem fantazie ve dvou částech nebývá na českých jevištích příliš k vidění. V Národním divadle v Praze byla inscenována pouze roku 1927 (v roce 2000 se její hudba objevila již jen jako podklad pro velmi úspěšnou baletní inscenaci Jiřího Kyliána). O to více zaujala inscenace Jihočeského divadla v Českých Budějovicích, které dílko roku 2016 předvedlo jako rodinnou operu. NDM zvolí v připravované inscenaci obdobný přístup, neboť opera bude určena především dětským divákům. Libreto vytvořila spisovatelka jménem Colette a jde o pohádkový příběh neposlušného chlapce, který trápí zvířata a ničí přírodu a věci kolem sebe. Věci však ožijí a vzbouří se proti zlobivému dítěti, ze zahrady si stěžují stromy i zvířata. Prožitý strach dá dítěti dostatečně za vyučenou a v jeho srdci nakonec nalezne místo láska a dobrota. Předloha poskytla Ravelovi inspiraci k taneční a rytmicky rozverné hudbě, která pro svůj vtip nikdy nezastarala. Jde o klasický příklad impresionistické partitury, ozvláštněné celou řadou zvukomalebných efektů.

čeština

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold