Name: Les audacieux
Start: 2023-02-03T00:00:00.000Z
End: 2023-02-12T00:00:00.000Z
Location: Théâtre du Vésinet

Organization

Direzione d'orchestra

Stephanie Childress

Cantante

Anastasia Kobekina

Solista

Orchestra

Orchestre National d'Île de France

Les audacieux

Gonesse

Francia

Parigi

Philharmonie de Paris

Meaux

Théatre Luxembourg de Meaux

Le Vesinet

Théâtre du Vésinet

Les audacieux: Concert

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Controtenore

Mezzosoprano

Tenore

Basso

Baritono

Soprano

Basso-baritono

Alto

Mimi

Narrazione

Voce bianca

Max Dozolme présente le programme du concert Les Audacieux : Simple Symphony de Benjamin Britten, le Concerto pour violoncelle n° 1 de Dimitri Kabalevski et ...

Max Dozolme présente le programme du concert Les Audacieux : Simple Symphony de Benjamin Britten, le Concerto pour violoncelle n° 1 de Dimitri Kabalevski et la Symphonie n° 1 de Beethoven. Ce concert sera dirigé par Stéphanie Childress, avec la violoncelliste Anastasia Kobekina.

Dynamique et vivifiant, ce programme est placé sous le signe de la hardiesse et de l’aplomb de de la jeunesse ! Beethoven s’est d’abord imposé à Vienne en tant que pianiste. C’est fort d’une réputation de virtuose bien établie qu’il présente ses premières œuvres au concert et à l’édition. Il a déjà trente ans lorsque sa Première Symphonie en ut majeur (1800) est interprétée en public, mais ses contemporains entrevoient qu’il engrange dans ce genre le début d’une véritable révolution. Si Benjamin Britten n’a jamais eu la fulgurance de Beethoven au piano, il compose depuis son plus jeune âge. Il a vingt ans lorsqu’il écrit sa Simple Symphony (1934), une partition dans laquelle il rend hommage à sa propre adolescence en apportant de nouveaux développements à des fragments de musique composés pour le piano entre dix et treize ans. Ces pages joyeuses rendent toute la fraîcheur et la tendresse de ses jeunes années (Bourrée turbulente, Pizzicato taquin, Sarabande sentimentale, Final enjoué…).

Enjoué, même espiègle, empli d’une franche joie de vivre et plein de charme, le Premier Concerto pour violoncelle op. 49 (1949) de Dimitri Kabalevsky est vraiment caractéristique du style du compositeur soviétique, qui fut un grand pédagogue, et dont l’œuvre est tournée vers la jeunesse (Tableaux de l’enfance, Le Temps de l’école…). Il faut la fougue de la jeune violoncelliste russe Anastasia Kobekina (troisième prix au Concours international Tchaïkovski de Moscou en 2019) pour rendre la vitalité de ce concerto et la formidable énergie de la jeune cheffe franco-britannique Stephanie Childress de vingt-deux ans (deuxième prix du Concours international de direction la Maestria à Paris en 2020) !

français

Dynamic and invigorating, this program is placed under the sign of the boldness and self-assurance of youth! Beethoven first established himself in Vienna as a pianist. It is with a well-established reputation as a virtuoso that he presents his first works in concert and in publishing. He was already thirty years old when his First Symphony in C major (1800) was performed in public, but his contemporaries foresee that he is reaping in this genre the beginning of a real revolution. If Benjamin Britten has never had the brilliance of Beethoven on the piano, he has been composing since a very young age. He was twenty years old when he wrote his Simple Symphony(1934), a score in which he pays homage to his own adolescence by bringing new developments to fragments of music composed for the piano between the ages of ten and thirteen. These joyful pages convey all the freshness and tenderness of his early years (turbulent Bourrée, teasing Pizzicato, sentimental Sarabande, playful Final, etc.).

Playful, even mischievous, filled with a frank joie de vivre and full of charm, the First Cello Concerto op. 49 (1949) by Dimitri Kabalevsky is truly characteristic of the style of the Soviet composer, who was a great pedagogue, and whose work is geared towards youth ( Childhood Pictures, School Time, etc. ). It takes the ardor of the young Russian cellist Anastasia Kobekina (third prize at the International Tchaikovsky Competition in Moscow in 2019) to render the vitality of this concerto and the formidable energy of the young Franco-British conductor Stephanie Childress, aged twenty-two (second prize of the Maestria International Conducting Competition in Paris in 2020)!

English

Les audacieux by Various, Da (2023/2023), Direttore d'orchestra Stephanie Childress, Théâtre du Vésinet, Le Vesinet, Francia

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Programma, informazioni e sinossi

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