Organization

Direzione d'orchestra

Andrew Litton

Strumento

Simon Trpčeski

Piano

Orchestra

Bournemouth Symphony Orchestra

Pianista

Let’s dance

Poole

Regno Unito

Lighthouse

Concert Hall

Let’s Dance: Divertimento (Le baiser de la fée) Stravinsky (+3 More)

Public

Divertimento (Il bacio della fata)

Valses nobles et sentimentales, M.61

La valse, Poema coreografico per orchestra

Concerto per pianoforte n. 2 in sol minore, op. 22

Approvato

Ravel greatly admired Schubert’s collection of Valses Nobles and Valses Sentimentales, inspiring him to write his own cycle of eight solo piano waltzes which he later orchestrated – each a sparkling jewel. His “choreographic poem” La Valse, however, is a dizzying parody of every aspect of the waltz idiom. Unable to control the wild inertia of its own energy, the piece tears itself apart from within. Saint-Saëns’s Second Piano Concerto serves as a perfect example of the composer’s polish, neat formal proportions, clarity of texture, and classic elegance of style. The story of how the work came to be written is an interesting one – intertwined in his friendship with pianist Anton Rubinstein. He wrote it in just seventeen days! Tchaikovsky songs and piano pieces are transformed with considerable affection, wit, and imagination in Stravinsky’s charming suite.

English

Let’s dance by Stravinsky, Ravel, Saint-Saëns, Da (2024/2024), Direttore d'orchestra Andrew Litton, Lighthouse, Poole, Regno Unito

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