Organization

Singer

Soprano

Ann-Beth Solvang

Concepcion

Tenor

Jason Kim

Gonzalve

Baritone

Kihun Yoon

Ramiro

Bass

João Fernandes

Don Inigo Gomez

Conductor

Hendrik Vestmann

Vito Cristofaro

Stage director

Tobias Ribitzki

Set designer

Stefan Rieckhoff

Costume designer

Video designer

Sven Stratmann

Lighting designer

Steff Flächsenhaar

Dramaturge

Annabelle Köhler

Saskia Kreuser

Erica Back

Sebastian Monti

Franz Gürtelschmied

Torquemada

Johannes Leander Maas

Donato Di Stefano

Gianni Schicchi

Martyna Cymerman

Lauretta

Elena Harsányi

Contralto

Melanie Lang

Zita

Rinuccio

Gherardo

Bogna Bernagiewicz

Nella

Martha Eason

Philipp Alexander Mehr

Betto di Signa

Simone

Leonardo Lee

Marco

Mezzo-soprano

La Ciesca

Paul Brady

Ser Amantio di Nicolao

Toshihiko Matsui

Guccio

Anthony Gardner

Pinellino

Oldenburgisches Staatstheater

Orchestra

Oldenburgisches Staatsorchester

Stephen Foster

Henry Kiichli

Maestro Spinelloccio

franceză

italiană

L'Heure espagnole / Gianni Schicchi

Oldenburg

Germany

Staatstheater

Großes Haus

Public

Staged

Opera

The Spanish Hour

germană

Approved

Comédie musicale von Maurice RavelLibretto von Franc-NohainIn deutscher und französischer Sprache mit deutschen ÜbertitelnWenn Concepcion eines nicht fehlt, ...

Die Spanische Stunde - Oldenburgisches Staatstheater

Planning is everything!

Regardless of whether it is a matter of forging a will or the right timing of adultery - a watertight plan and the right time management are the be-all and end-all! If Concepción wanted to use the regular absence of her husband in 'The Spanish Hour' to have a pleasant time with her lover, the unplanned appearance of the virile mule
driver Ramiro and another admirer disrupts their fragile planning.

The rich Donati family in 'Gianni Schicchi', on the other hand, is certain: the death of the elder Buoso is a bitter stroke of fate that has to be mourned in a well-planned way. But the secret opening of the will, which reveals to the bereaved that they all miss out on the inheritance, unleashes criminal energies in the relatives, which the shrewd upstart Gianni Schicchi knows how to skillfully exploit for himself.

The two short operas sparkle with esprit and situation comedy - two intimate plays, sometimes touching, sometimes macabre, but always turbulent. And with Puccini's 'O mio babbino caro' the most beautiful suicide threat in music history can be experienced.

English

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