Organization

Cantante

Soprano

Danielle de Niese

Poppea

Controtenore

Philippe Jaroussky

Nerone

Anna Bonitatibus

Ottavia

Max Emanuel Cencic

Ottone

Ana Quintans

Drusilla

Contralto

José Lemos

La Nutrice di Ottavia

Robert Burt

Arnalta

Tenore

Terry Wey

Lucano

Mathias Vidal

Basso

Damian Whiteley

Mercurio

Direzione d'orchestra

William Christie

Regia

Pier Luigi Pizzi

Scenografia

Costumi

Luci

Sergio Rossi

Claire Debono

La Fortuna

Katherine Watson

La Virtù

Hanna Bayodi-Hirt

L'Amore

Antonio Abete

Seneca

Suzana Ograjenšek

Il valletto

Pallade

Venere

Damigella

Andreas Wolf

Liberto

Juan Sancho

Primo soldato

David Webb

Littore

Primo famigliare di Seneca

Tribuno

Consoli

Coreografia

Roberto Maria Pizzuto

Teatro Real de Madrid

Others

Les Arts Florissants

L'incoronazione di Poppea

Madrid

Spagna

Teatro Real

Virtue, Fortune and Love compete for superiority over mankind in the prologue to the most erotic opera of the 17th century, L’incoronazione di Poppea. Composed by Claudio Monteverdi at the age of 75, it was first performed in 1642 at the Teatro dei Santi Giovanni e Paolo, in Venice.

This dialectical confrontation between Virtue and Fortune gives rise to overpowering passions, embodied by characters such as Nerone (unrestrained desire), Poppea (the lust for power) and Ottavia (the drive for vengeance) and opposed by the Stoic morality of the philosopher Seneca and the sincere love of Ottone. 35 years after his experimental Orfeo, Monteverdi’s L’incoronazione di Poppea presents the innovations of mid-17th century Venetian opera: the absence of dances and choruses, a smaller orchestra, and the exaltation of vocal melody. A vocal continuum, ranging from recitative to ariosi, strophic arias and ensembles, made use of all the then current resources of vocal language; human emotions are expressed in sound with an unknown level of characterisation and psychological refinement up to that time.

This was the first opera about historical figures, real people, rather than portraying characters who embody emotional states. L’incoronazione di Poppea attempts to perceive and hear how these emotions appear and evolve, how they seduce and move us, how they invite us to enter the unstable and decentralised space of the Baroque world: the always subtle shift from recitative to arioso and cantabile, from cool intellect to hot blood, from reason to ecstasy, shapes a musical drama of human relationships, where the map is the geometry of the soul in movement.

L'incoronazione di Poppea by C.Monteverdi, from Teatro Real, 2010. Directed by Pier Luigi Pizzi, conductor William Christie, starring Danielle de Niese, Philippe Jaroussky, Katherine Watson, Robert Burt, Ana Quintans, Antonio Abete, Max Emanuel Cencic, Anna Bonitatibus, Claire Debono, Damigella, José Lemos, Hanna Bayodi-Hirt and Suzana Ograjenšek. Performed in Italian and subtitled in English, German, Spanish, French and Italian.

L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid.

L'incoronazione di Poppea Monteverdi

Approvato

Foto