Name: Symphony No. 2, op. 52
Start: 2022-04-14T00:00:00.000Z
End: 2022-04-14T00:00:00.000Z
Location: CCB Centro Cultural de Belém

Organization

Singer

Soprano

Rita Marques

Soprano I

Cecília Rodrigues

Soprano II

Tenor

Leonel Pinheiro

Conductor

Michael Zilm

Fundação Centro Cultural de Belém

Orchestra

Lisbon Metropolitan Orchestra

Symphony No. 2, op. 52 -  (Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise"))

Lisbon

Portugal

CCB Centro Cultural de Belém

Grande Auditorio

Public

Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise")

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Mezzo-soprano

Countertenor

Baritone

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Lobgesang Mendelssohn

Lobgesang means “Song of Praise” and gives its name to this Symphony-Cantata where Felix Mendelssohn stamps his creative maturity. Written for solo voices, choir, orchestra and organ, on texts highlighted in the biblical scriptures, it is built in a hybrid style, somewhere between the sacred and the profane, between contemporaneity and the musical references of the past. It is a very structured musical proposal that leads from darkness to the splendor of God's word; from ignorance to the illustrated spirit. It was premiered under the direction of the composer himself in June 1840 as part of the Gutenberg Festival, held in Leipzig. Mendelssohn then resided in the city of printers for five years, during which time he transformed the Gewandhaus into one of the most important European musical institutions at the time.

English

A representação do sofrimento de Cristo na Cruz é assumida neste programa por três compositores temporalmente distantes entre si: Haydn, Brahms e Martin. Por um lado Haydn, o pai da sinfonia, utiliza a  força da tonalidade, Fá menor, como elemento crucial para uma viagem emocional que extravasa todos os limites (1768). Já no final da sua vida, Brahms utiliza nove versos luteranos para, através do órgão, expressar toda a carga expressiva e religiosa das palavras na sua música (1896). Por último, das palavras às imagens, Martin abre uma via privilegiada de comunicação com o seu mundo religioso e espiritual, encarnando a voz de Cristo num instrumento solista, o violino, tendo como inspiração seis painéis que retratam a Paixão de Cristo (1973).

Parece-nos que estes três diferentes caminhos, estas três diferentes viagens, desembocam no mesmo lugar: expressar, vivenciar, reproduzir o estado d’alma deste momento tão importante espiritualmente. Porém, de realçar também, que o ponto de partida tem um nome em comum, J.S. Bach; cada um dos três compositores contém em si uma espécie de reflexo inspirador deste compositor, tão importante para a história da música ocidental.
Este concerto é sem dúvida um momento introspetivo, de vivência espiritual interna.  – Pedro Neves

português

Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise") by Mendelssohn, No (2022/2022), Diriģents Michael Zilm, CCB Centro Cultural de Belém, Lisbon, Portugal

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