Name: L'OCL à Genève
Start: 2025-01-16T00:00:00.000Z
End: 2025-01-16T00:00:00.000Z
Location: Victoria Hall

Admin

Orchestre de la Suisse Romande

Conductor

Hossein Pishkar

Orchestra

Baritone

Johan Reuter

Jedermann

L'OCL à Genève

Geneva

Switzerland

Victoria Hall

L'OCL à Genève:    Die sieben letzten Worte unseres Erlösers am Kreuze, Haydn  (+1 more)

Public

Private

Concert

The Seven Last Words of Our Saviour on the Cross

Sechs Monologe aus Jedermann

Teja Boyidi

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Soprano

Mezzo-soprano

Countertenor

Bass-baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Frank Martin, the devout Christian composer from Geneva who passed away 50 years ago, left behind numerous vocal works, notably the Six Monologues of Jedermann – a window into his profoundly expressive art. His poems evoke life’s fragility and the deceptive allure of wealth. Jedermann (“everyone” according to Hugo von Hofmannsthal), abandoned by his loved ones and dying amid his treasures, facing death alone, can only find salvation through faith. A very similar sentiment guided Joseph Haydn’s mind when composing his extraordinary The Seven Last Words of Our Saviour on the Cross in which seven adagios are framed within a prelude and a gripping earthquake. Initially written for orchestra, this work gained such acclaim that Haydn adapted it for different ensembles, from string quartets to oratorios.

English

Profondément chrétien, le compositeur genevois Frank Martin, mort il y a 50 ans, a laissé de nombreuses œuvres vocales dont les Six monologues de Jedermann si représentatifs  de son art profondément expressif. Ces poèmes évoquent la précarité de la vie et les artifices du pouvoir de l’argent. Mourant parmi ses trésors, abandonné des siens, Jedermann (« nous tous » selon Hugo von Hofmannsthal) se retrouve seul face à la mort et ne pourra trouver son salut qu’à travers la foi. C’est un sentiment très voisin qui a guidé Joseph Haydn dans l’écriture de ces extraordinaires Sept dernières paroles de notre Sauveur sur la croix dans lesquelles sept adagios sont encadrés par un prélude et un tremblement de terre saisissant. Écrite d’abord pour orchestre, cette œuvre aura un succès tel qu’il obligera Haydn à en décliner plusieurs versions différentes, pour quatuor à cordes et sous la forme d’un oratorio.

français

L'OCL à Genève by Haydn, Martin, Noiztik (2025/2025), Zuzendaria Hossein Pishkar, Victoria Hall, Geneva, Switzerland

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