Name: Lucia di Lammermoor
Start: 2022-08-25T00:00:00.000Z
End: 2022-08-25T00:00:00.000Z
Location: Großes Festspielhaus

Organization

Przygotowanie chóru

Walter Zeh

Dyrygent

Daniele Rustioni

Śpiewak

Baryton

Ludovic Tézier

Enrico

Sopran

Lisette Oropesa

Łucja

Tenor

Benjamin Bernheim

Edgardo

Roberto Tagliavini

Raimondo

Riccardo Della Sciucca

Arturo

Mezzosopran

Ann-Kathrin Niemczyk

Alisa

Seungwoo Simon Yang

Normano

Glass harmonica

Christa Schönfeldinger

Salzburger Festspiele

Orchestra

Mozarteumorchester Salzburg

Others

Philharmonia Choir Wien

włoski

Lucia di Lammermoor -  (Łucja z Lammermooru)

Salzburg

Austria

Großes Festspielhaus

Public

Łucja z Lammermooru

niemiecki

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Kontralt

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Lucia di Lammermoor Donizetti

The suffering lover and the loving sufferer, the fragile melancholic with the compulsion to escape from the trauma of reality into a world of dreams, to surrender to the illusions of ‘madness’: this female type shaped the history of bel canto, the Romantic Italian opera in the first half of the 19th century. No other work embodies this male fantasy in such exemplary fashion, so memorably, and with such musical brilliance as Gaetano Donizetti’s Lucia di Lammermoor, first performed in Naples in 1835. In a radically concentrated dramatic version of Sir Walter Scott’s bleak historical novel The Bride of Lammermoor (1819), the librettist Salvadore Cammarano shows Lucia as the innocent victim of a family feud and dynastic politics, who not until the nadir of her humiliation is able to bring herself to perform a belated, mistaken act of self-defence that inevitably leads to her own destruction.
Donizetti’s music exalts Lucia into a tragic figure of suffering purity, then at the climax of the action, in the famous ‘mad scene’, ratchets up the temperature curve of her virtuoso furor to unimagined heights — accompanied in the original score by the otherworldly, impalpable sounds of a glass harmonica. However, Lucia di Lammermoor was at first regarded also as an opera for the tenor, to whom after all the finale belongs, when standing among the tombs of his ancestors he learns of his beloved’s fate and follows her to the grave. Having long been dominated by rather lightweight colaratura sopranos who used the role to showcase vocal acrobatics rather than expression, since the 20th century a range of very different singers has set new standards in the fusion of vocal and dramatic ability — often provoking ‘mad scenes’ among their appreciative audiences.

Walter Weidringer
Translation: Sophie Kidd

English

Łucja z Lammermooru by Donizetti, od (2022/2022), Dyrygent Daniele Rustioni, Großes Festspielhaus, Salzburg, Austria

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca