Name: Lucia di Lammermoor
Start: 2016-05-20T00:00:00.000Z
End: 2016-05-22T00:00:00.000Z
Location: Brechin City Hall

Organization

Conductor

Richard Johnson

Singer

Tenor

Michael Jamieson

Norman

Baritone

Alister Allan

Lord Henry Ashton

Bass

Russell Malcolm

Raymond Bidebent

Soprano

Moira Ann Docherty

Lucy

Frances Taylor

Mezzo-soprano

Barbara Scott

Alice

Ian McBain

Sir Edgar of Ravenswood

Andreas Ottenberg

Lord Arthur Bucklaw

Tayside Opera

Lucia di Lammermoor -  (Lucia of Lammermoor)

Dundee

United Kingdom

Brechin City Hall

Lucia di Lammermoor Donizetti

Public

Lucia of Lammermoor

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

At a time when several of the amateur operatic groups have fallen by the wayside, it is encouraging that Tayside Opera have managed to keep going, albeit in a less ambitious form than before.  For several seasons they have taken a popular work to three separate venues round the region albeit in concert or semi-staged format with around a dozen choristers and piano accompaniment. The 2016 offering is Donizetti's Lucia di Lammermoor, a favourite work they have tackled with great success in the past.

It is to be hoped that the company will continue to survive, as they have always provided a valuable service in a part of the country that is, more than most, an operatic 'dry area'. Another useful factor, true of all the surviving companies, is they provide a training ground for young singers to try out roles.

On this occasion, Tayside had a difficulty they must dread when they are so lightly manned - the spread through the company of a chest infection meant that there were occasional moments of vocal unease. However they coped well in the circumstances - occasionally one or two singers introduced a downward transposition of line, but rarely was there serious damage.

The 'concert version' used was still rather more complete than we used to hear when Donizetti was less admired than he is now. The principal cut was the Wolf's Crag scene, where Edgar and Henry have a slanging match well away from the tragic events unfolding back at the Ashtons' castle. This scene is important, but it makes heavy demands on the singers, and when the tenor is very young and the baritone's voice on the light side, the cut was understandable.

There was some excellent singing from Moira Docherty as Lucy and Ian McBain as Edgar. The mad scene went sweetly from the start, and the final suicide, which can seem to drag, was also well delivered. They were particularly well supported by Russell Malcolm and Barbara Scott as Raimondo and Alisa. His entry to disturb the festivities and break the dire tidings was quite impressive. The other voices were on the light side, even when they sang well. Only one solo was badly affected by indisposition.

English

Lucia of Lammermoor by Donizetti, Alkaen (2016/2016), Musiikinjohto Richard Johnson, Brechin City Hall, Dundee, United Kingdom

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