Name: Lucie de Lammermoor
Start: 2023-11-18T00:00:00.000Z
End: 2023-12-01T00:00:00.000Z
Location: Teatro Sociale

Organization

Teatro Comunale di Bologna

Fondazione Teatro Donizetti

Conductor

Pierre Dumoussaud

Stage director

Jacopo Spirei

Set designer

Mauro Tinti

Costume designer

Agnese Rabatti

Lighting designer

Giuseppe di Iorio

Assistant Stage Director

Alessandro Pasini

Singer

Vito Priante

Henri Ashton

Patrick Kabongo

Edgard Ravenswood

Julien Henric

Lord Arthur Bucklaw

David Astorga

Gilbert

Roberto Lorenzi

Raimond

Caterina Sala

Lucie

Orchestra

Orchestra Gli originali

Others

Coro dell'Accademia Teatro alla Scala

Chorus master

Salvo Sgrò

Fraincis

Lucie de Lammermoor -  (Lucia di Lammermoor (French Version))

Bergamo

Italy

Donizetti Opera

Teatro Sociale

Lucia di Lammermoor Donizetti

Private

Public

Lucia di Lammermoor (French Version)

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Tenor

Baritone

Mezzo-soprano

Countertenor

Bass-baritone

Bass

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Nell’autunno del 1835, a Napoli, Gaetano Donizetti ottiene uno dei maggiori trionfi della sua carriera con Lucia di Lammermoor, che diventa il modello stesso del melodramma romantico italiano. L’opera fa rapidamente il giro del mondo e viene rappresentata nella versione originale italiana anche a Parigi, al Théâtre des Italiens, nel 1837. Due anni dopo, Donizetti decide di realizzarne una versione francese per il Théâtre de la Renaissance, una sala parigina dal repertorio innovativo ma dai mezzi economici e artistici più ridotti rispetto all’Opéra. Il libretto di Salvadore Cammarano viene tradotto in francese e semplificato da Alphonse Royer e Gustave Vaëz, i poeti che stanno scrivendo per Donizetti e per la Renaissance L’ange de Nisida, diventata poi La favorite. Il compositore interviene sulla partitura, realizzando quella che è, a tutti gli effetti, un’opera diversa, l’“altra Lucia”. Fra i cambiamenti più importanti, la cavatina di Lucie, sostituita con quella di Rosmonda d’Inghilterra secondo una prassi, pare, già praticata da Fanny Tacchinardi-Persiani, la prima interprete della Lucia italiana. I personaggi di Alisa e Normanno, confidenti rispettivamente di Lucia e di Enrico, sono unificati in quello del traditore Gilbert, che assume così uno spessore maggiore. Una scena, il duetto fra Raimondo e Lucia, è tagliata e molte altre semplificate o riscritte, mentre lo “sposino” Arthur fa il suo ingresso già nel primo atto. Questa nuova Lucie de Lammermoor debutta alla Renaissance il 6 agosto 1839 con enorme successo e resta in repertorio in Francia per tutto il XIX secolo, diventando un caposaldo della cultura nazionale. Come dimostra, fra gli altri, il capitolo di Madame Bovary che Flaubert ambienta al teatro di Rouen durante una recita, appunto, di Lucie.

italiano

In the autumn of 1835, in Naples, Gaetano Donizetti achieved one of the greatest triumphs of his career with Lucia di Lammermoor, which became the very model of Italian Romantic melodrama. The opera soon toured the world and was also performed in its original Italian version in Paris, at the Théâtre des Italiens, in 1837. Two years later, Donizetti decided to produce a French version for the Théâtre de la Renaissance, a theatre in Paris with an innovative repertoire but fewer economic and artistic means than the Opéra. Salvadore Cammarano’s libretto was translated into French and simplified by Alphonse Royer and Gustave Vaëz, the librettists who were writing L’ange de Nisida, later to become La favorite, for Donizetti and the Théâtre de la Renaissance. The composer made some changes to the score, creating what is, by all means, a different opera, the ‘other Lucia.’ Among the most significant changes is Lucie’s cavatina, replaced with that of Rosmonda d’Inghilterra according to a practice that Fanny Tacchinardi-Persiani, the first interpreter of the Italian Lucia, apparently followed before that.  The roles of Alisa and Normanno, confidants of Lucia and Enrico respectively, are combined in that of the traitor Gilbert, who thus acquires greater depth. One scene (the duet between Raimondo and Lucia) is cut, many others are simplified or rewritten, and Arthur – the betrothed – makes his entrance already in act one. This new Lucie de Lammermoor made its debut at the Théâtre de la Renaissance on 6 August 1839 with enormous success. It remained in the French repertoire throughout the nineteenth century and became a cornerstone of national culture, as demonstrated by, among other things, the chapter of Madame Bovary set by Flaubert at the theatre in Rouen during a performance of Lucie.

English

Lucia di Lammermoor (French Version) by Donizetti, Ó (2023/2023), Faoi stiúir Jacopo Spirei,, Seoltóir Pierre Dumoussaud, Teatro Sociale, Bergamo, Italy

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Comhléiritheoir

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid