Organization

Sänger

Tenor

Mergen Sandanov

B. F. Pinkerton

Mezzosopran

Tatia Jibladze

Suzuki

Maria Gulik

Bariton

Stefano Meo

Sharpless

Fred Hoffmann

Goro

Bass

Matteo Maria Ferretti

Onkel Bonzo

Hojoon Lee

Fürst Yamadori

Elizabeth Tredent

Kate Pinkerton

Slaw Rotmann

Onkel Yakusidé

Andrzej Bernagiewicz

Der kaiserliche Kommissar

Junggeun Choi

Der Standesbeamte

Regie

Joachim Rathke

Dirigat

Daniel Carlberg

Chordirektion

Gerald Krammer

Lam Tran Dinh

Equipmen

Claudia Spielmann

Sopran

Agnieszka Hauzer

Cio-Cio-San

Elisabeth Raßbach-Külz

Die Tante

Cornelia Möhler

Die Cousine

Anka Perfanova

Mutter Cio Cio Sans

Sergi Roca Bru

Kostümbild

Theater Kiel

Others

Opernchor des Theaters Kiel

Italienisch

Madama Butterfly -  (Madame Butterfly)

Kiel

Deutschland

Opernhaus Kiel

MADAME BUTTERFLY

Public

Private

Madame Butterfly

Deutsch

Genehmigt

Madama Butterfly Puccini

Puccinis »Madame Butterfly« war bei der Uraufführung an der Mailänder Scala 1904 zwar der größte Misserfolg seines Lebens, wurde nach mehreren Überarbeitunge...

Nagasaki, around 1900: The geisha Cio-Cio-San, known as Madame Butterfly, is sold by the Japanese marriage agent Goro to the American naval officer Benjamin Franklin Pinkerton for 100 yen. While Pinkerton sees his connection to Cio-Cio-San as "temporary marriage" and vacation enjoyment, Cio-Cio-San considers himself to be his legally wedded wife. Even when he left her in Japan, she believed in vain for three years in his return to her. One day, however, Pinkerton and his American wife Kate appear in Nagasaki to take their child with them to the United States. Cio-Cio-San's illusion of a future together with Pinkerton has been shattered. She only knows one way out of her misfortune ...

Puccini's “Madame Butterfly” was the biggest failure of his life when it was premiered at La Scala in Milan in 1904, but after several revisions it became one of the most frequently performed operas in the repertoire and is one of the prime examples thanks to its colorful, highly emotional and exotic soundscape the entire genus. The European view of two foreign cultures, »Japan« and the »USA«, is at the center of this piece about cultural and gender conflicts, which in 2021 will have to ask completely new questions. The Kiel director Joachim Rathke undertakes this new survey together with the designer Claudia Spielmann, who is very familiar with Japan, in a reading that can also be interpreted as an homage to the genre »opera«.

English

Madame Butterfly by Puccini, Ab (2021/2022), Unter der Regie von Joachim Rathke,, Dirigat Daniel Carlberg, Sergi Roca Bru, Opernhaus Kiel, Kiel, Deutschland

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