Organization

Stage director

Stephanie Havey

Conductor

Keri-Lynn Wilson

Singer

Soprano

Joyce El-Khoury

Cio-Cio-San

Tenor

Matthew White

B.F. Pinkerton

Baritone

Hugo Laporte

Sharpless

Mezzo-soprano

Lauren Segal

Suzuki

Éric Thériault

Goro

Bass

Matthew Trevino

Uncle Bonze

Geoffrey Schellenberg

Prince Yamadori

The official registrar

Matthew Li

The imperial commissioner

Sydney Frodsham

Cio-Cio San's mother

Meghan Fleet

The aunt

Marie-Claire Drolet

The cousin

Mikelis Rogers

Uncle Yakusidé

L'Opéra de Montréal

Others

Choeur de l'Opéra de Montréal

Orchestra

Orchestre Métropolitain de Montréal

Place des Arts (Société de la Place des Arts de Montréal)

Italian

Madama Butterfly -  (Madame Butterfly)

Montreal

Canada

Place des Arts

Salle Wilfrid-Pelletier

Madama Butterfly Puccini

Public

Private

Madame Butterfly

English

French

Approved

UN PAPILLON N'EST PAS FAIT POUR ÊTRE ÉPINGLÉ.Puccini dira un jour qu’il s’agit de l’œuvre la plus sincère et expressive qu’il n’ait jamais écrite. Au-delà de...

Summary
Puccini once said that it was the most sincere and expressive work he had ever written. Beyond the conflict between two civilizations, Madama Butterfly is an ode to love and to women. For this stunning production, two women also play the key roles of orchestral conductor and stage director.

Nagasaki, beginning of the 20th century: Cio-Cio San chooses to renounce her country’s traditions and her family’s beliefs to give her whole heart to the love of her life, an American general. She never imagined for one moment that the passion that consumes her would plunge her into the depths of loneliness and hopeless despair.

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Performance credits (Cast & Crew )

Cast

Ensemble

Co-Producer