Organization

Śpiewak

Sopran

Carmen Gurban

Madama Butterfly

Tenor

Marius Budoiu

F.B. Pinkerton

Hector Lopez

Baryton

Geani Brad

Sharpless

Florin Estefan

Mezzosopran

Iulia Merca

Suzuki

Alexandra Lesiu

Florin Pop

Goro

Corneliu Huțanu

Bonzo

George Godja

Książe Yamadori

Molnár Zoltán

Komisarz

Cezara Diță

Kate Pinkerton

Gelu Moldovan

Urzędnik

Dyrygent

David Crescenzi

Reżyseria

Matteo Mazzoni

Scenografia

Benito Leonori

Kostiumy

Patricia Toffolutti

Wideo

Mario Spinaci

Reżyseria światła

Ludovico Gobbi

Przygotowanie chóru

Emil Maxim

Mihaela Bogdan

Elisabetta Salvatori

Corneliu Felecan

Opera Națională Română Cluj-Napoca

Madama Butterfly -  (Madame Butterfly)

Kluż-Napoka

Rumunia

Opera Romana Cluj-Napoca

Madama Butterfly Puccini

Public

Madame Butterfly

Approved

A Fondazione ,,Pergolesi Spontini” co-production, presented under the high patronage of Italian Embassy

Opera in three acts (libretto by Giuseppe Giacosa and Luigi Illica, after David Belasco, John Luther Long and Pierre Loti)

Recommended Age: 5+

It was London in 1900 where Giacomo Puccini – who was supervising the Covent Garden production of his recent opera Tosca – was profoundly marked after seing David Belasco’s play Madama Butterfly. The theme of the short and unfotunate love story between the young Japanese, who gives up to her family, culture and religion to marry the american officer B. F. Pinkerton and who, after a long waiting for her lover’s return commits suicide, met precisely the composer’s expectations. Puccini spent the next two years composing Madama Butterfly, undertaking some serious research on japanese music and tradition. His results can be easily found within the score that also includes Nipponese melodies and american anthem fragments.

Despite the cautiousness and carefulness of Puccini during the elaboration, Madama Butterfly’s premiere, held in 1904 at Teatro alla Scala in Milano, met some unfriendly reactions that determined the composer to retract his opera from the repertoire and to make a completely revision. The new Madama Butterfly found itself in the limelight for the first time at Brescia in the same year, being highly successful, and the following reviews resulted in a highly popular opera, similar to its predecessor – La bohème (1896).

The performance has one break and ends around 9.15 p.m.

English

Madame Butterfly by Puccini, od (2018/2018), W reżyserii Matteo Mazzoni, Mihaela Bogdan,, Dyrygent David Crescenzi, Opera Romana Cluj-Napoca, Kluż-Napoka, Rumunia

Udział w spektaklu (Obsada & realizacja )

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Program, informacje i streszczenie

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