Name: Magdalena Kožená Kirill Gerstein
Start: 2024-07-22T00:00:00.000Z
End: 2024-07-22T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Kirill Gerstein

Piano

Singer

Magdalena Kožená

Voice

Pianist

Soloist

Soprano

Magdalena Kožená / Kirill Gerstein

Bagnes

Switzerland

Eglise de Verbier

Magdalena Kožená / Kirill Gerstein: Moravian Folk Poetry in Song Janáček (+3 More)

Public

Moravian Folk Poetry in Songs

Mörike Lieder

6 Romances, op. 38

Brettl-Lieder

Akshay C K

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

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Timpani

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Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

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Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

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Extra

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Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

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Writing and performance

Contralto

Bass-baritone

Mezzo-soprano

Countertenor

Tenor

Baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Janáček’s passion for the folk culture of his native Lachian region, on the Moravian-Silesian border, was lifelong; also respect-filled, hence providing only the simplest of accompaniments to the 53 Moravian folk songs he assembled between 1892 and 1901, so as not to distract from their essential characteristics. There’s a folklike simplicity and humour to the poems of Eduard Mörike (1804-1875); Hugo Wolf’s musically multifaceted 1888 settings of them include ‘Abschied’ (Farewell), in which the poet describes kicking a critic down the stairs, prompting a merry Viennese waltz. Composed in 1916 to texts by modern symbolist poets, Rachmaninoff’s six Op.38 songs with their luxurious textures and chromaticism were for soprano Nina Joshetz, inspired by the folky timbre of her voice. The chromaticism of Schoenberg’s 1901 Brettl-Lieder is perhaps even more intense, but here it ramps up the music’s cabaret flirtiness.

English

La passion de Janáček pour la culture folklorique de sa région natale, le Lachian, perdura tout au long de sa vie. Son respect profond pour ces traditions transparaissait dans sa décision de n’offrir que des accompagnements simples aux 53 chants folkloriques moraves collectés entre 1892 et 1901. Cette approche visait à préserver l’authenticité et les caractéristiques essentielles de ces chants, en évitant toute altération de leur nature initiale. Les poèmes d’Eduard Mörike (1804-1875) se distinguent par leur simplicité et leur humour empreints de folklore. Parmi les diverses compositions musicales de Hugo Wolf en 1888 figure « Abschied » (Adieu), où le poète décrit de manière humoristique comment il a donné un coup de pied à un critique. Composées en 1916 et basées sur des textes de poètes symbolistes contemporains, les six chansons de l’opus 38 de Rachmaninoff se caractérisent par sa richesse musicale et son chromatisme distinctif. Elles furent conçues pour la soprano Nina Joshetz, qui a inspiré le compositeur par le timbre folklorique de sa voix. Le chromatisme des Brettl-Lieder de Schoenberg (1901) est peut-être encore plus intense, mais il renforce ici le charme de la musique de cabaret.

français

Magdalena Kožená / Kirill Gerstein by Janáček, Wolf, Rachmaninoff, Schoenberg, Arnold, Od (2024/2024), Eglise de Verbier, Bagnes, Switzerland

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