Organization

Singer

Soprano

Svetla Vassileva

Manon Lescaut

Simona Bertini

Baritone

Kiril Manolov

Lescaut

Alen Ruško

Tenor

Kamen Chanev

The knight René Des Grieux

Jung Tae Sung

Saša Jakelić

Edmond

Špiro Boban

Bass

Jadran Barišković

An innkeeper

Vinko Maroević

The dance master

Miroslav Ljubičić

Mezzo-soprano

Barbara Sumić

A singer

Tonči Banov

Sergeant of the Archers

Mate Akrap

A lamplighter

Franjo Pavić

The naval captain

Actor

Silent

Nikša Dulčić

Un parrucchiere

Conductor

Ivo Lipanović

Stage director

Petar Selem

Costume designer

Dora Argento

Set designer

Zlatko Kauzlarić Atač

Carmine Monaco d'Ambrosìa

Geronte de Revoir

Lighting designer

Zoran Mihanović

Chorus master

Ana Šabašov

Choreographer

Snjezana Abramović Milković

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Split

Croatia

Manon Lescaut Puccini

Public

Approved

The greatest Italian composer of the post-Verdian generation reached the maturity of a true opera composer after his first two operas, and all his works found a place in the recognized part of the opera repertoire. Some of his operas, moreover, enjoy the reputation of being the most popular operas ever written. Persistently and successfully achieving a compromise between his native Italian heritage and French and German influences, Puccini was the only one of his contemporaries who managed to rise creatively, growing with each new work into the most beloved representative of opera verism with a distinctive lyrical note. In a series of great heroines who will make him famous - Mimi (La Bohème), Tosca, Madam Butterfly - Manon Lescaut stands first,

English

Najveći talijanski skladatelj postverdijanske generacije zrelost je istinskog opernog skladatelja dosegnuo već nakon svoje prve dvije opere, a sva su njegova djela našla mjesto u priznatom dijelu opernog repertoara. Neke od njegovih opera, štoviše, uživaju ugled najpopularnijih ikada napisanih opera. Uporno i uspješno postižući kompromis između svojega rodnoga talijanskog naslijeđa te francuskih i njemačkih utjecaja, Puccini se jedini od svojih suvremenika uspio kreativno uzdignuti, prerastajući svakim novim djelom u najomiljenijeg predstavnika opernog verizma s izrazitom lirskom notom. U nizu velikih junakinja koje će ga proslaviti - Mimi (La Bohème), Tosca, Madamme Butterfly - Manon Lescaut stoji na prvome mjestu, svjedočeći kako Puccinija ponajprije zanima istinska melodrama koja će mu omogućiti da na scenu iznese najdublje ljudske emocije, protkane tipično puccinijevskom melodikom, s jedne strane, te snažnom scenskom dramatikom, s druge.

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