Name: María de Buenos Aires
Start: 2021-08-22T00:00:00.000Z
End: 2021-08-22T00:00:00.000Z
Location: CCB Centro Cultural de Belém

Organization

Cantante

Ana-Ester Neves

Soprano (solista)

Christian Luján

Barítono (solista)

Director(a) orquestal

Daniel Schvetz

Diseñador(a) de video

Eduardo Stupia

Coreógrafo(a)

Catarina Moreira

Pianista

Ilustração

Duilio Fonda

Fundação Centro Cultural de Belém

español

María de Buenos Aires

Lisboa

Portugal

CCB Centro Cultural de Belém

Grande Auditorio

Public

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bajobarítono

Tenor

Barítono

Soprano

Bajo

Contratenor

Mezzosoprano

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

María de Buenos Aires is a theatrical/musical show — the first in the tango-opera genre by Astor Piazzolla — with a libretto by Horacio Ferrer, an Uruguayan-Argentine poet who also wrote poems for several of Piazzolla's tangos.

The plot, complex and with surrealist touches, develops over 17 paintings, alternating between sung, recited or exclusively instrumental sections, where we follow María's life, death, resurrection and motherhood. The protagonist wanders between typical characters and everyday scenes in the Argentine capital, coming across a narrator poet who is also a duende, several puppets under her control, and a circus of psychoanalysts.

María and her shadow are the representation of Buenos Aires, associated with tango, street life and nightlife. But the character contains multiple readings and is often associated with both the Virgin Mary and Jesus Christ, as well as the female condition.

The work premiered at Sala Planeta in Buenos Aires, on May 8, 1968. The composer himself classified it as an «Operita», which we can consider «Chamber», and it is performed with an effective eleven instrumentalists, two solo singers ( a soprano and a baritone), a reciter and a small format choir group (with 4 to 6 elements) also reciter.

English

María de Buenos Aires by Piazzolla, De (2021/2021), Director Daniel Schvetz, CCB Centro Cultural de Belém, Lisboa, Portugal

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Programa, Acerca de & Sinopsis

Fotografías

Más información

Fechas y lugares de actuación

Lugares