Name: Martha !
Start: 2024-10-16T00:00:00.000Z
End: 2024-10-17T00:00:00.000Z
Location: Victoria Hall

Admin

Orchestre de la Suisse Romande

Maestro

Jonathan Nott

Orchestra

Instrumentista

Martha Argerich

Piano

Pianist

Martha !

Genebra

Suíça

Victoria Hall

Martha !: Le Tombeau de Couperin Ravel (+2 More)

Public

Concert

Concerto

Le Tombeau de Couperin

Concerto para piano e orquestra n.º 1 em dó maior, op. 15

Sinfonia nº 8 em fá maior, op. 93

Teja Boyidi

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Cantor

Tenor

Soprano

Barítono

Contratenor

Baixo

Mezzo-soprano

Baixo-barítono

Alto

Silent

Spoken

Vocalista Infantil

Martha Argerich, long-time resident of Geneva, and one of our dedicated soloists, regularly gracing our concerts with her presence. When her skilful fingers dance across the keys, the young Beethoven’s 1st Concerto takes on a distinctive character, especially in the impetuous finale, which intriguingly echoes the rhythm of Southern American folk music. This musical journey will be framed by two works evoking the past: A dive into Louis XIV’s France and eminent harpsichord masters; among these, Ravel’s exquisite Tombeau de Couperin, his poignant tribute to friends lost on the battlefields of World War I. At the height of his glory, Beethoven turns to his mentor Joseph Haydn, father of the symphony, with his lively Symphony No. 8. Playful like his elder, he cleverly mimics the unbearable, incessant tick-tock of the metronome, newly invented by his friend Mälzel, in the second movement, replacing the usual slow progression. Audible quirks in the mechanism reveal the faltering orderly cadence.

English

Citoyenne genevoise depuis longtemps, Martha Argerich est aussi une des fidèles solistes de nos concerts. Sous ses doigts ensorcelants, le Premier Concerto du jeune Beethoven revêt un caractère unique, spécialement dans le finale endiablé, curieusement proche de la musique populaire sud-américaine. Il sera encadré par deux œuvres se remémorant le passé : une plongée dans la France de Louis XIV et des grands maîtres du clavecin, avec l’exquis Tombeau de Couperinque Ravel a dédié à des amis morts sur les champs de bataille de la Première Guerre mondiale. Au faîte de sa gloire, Beethoven se tourne lui vers son maître Joseph Haydn, père de la symphonie, avec la pétulante Symphonie N° 8. Facétieux comme son aîné, il imite le tic-tac insupportable du métronome que son ami Mälzel venait d’inventer dans le deuxième mouvement remplaçant le traditionnel mouvement lent. On y entend clairement la mécanique qui parfois se détraque…

français

Martha ! by Ravel, Beethoven, De (2024/2024), Regente Jonathan Nott, Victoria Hall, Genebra, Suíça

Créditos do espetáculo (Elenco & Equipe )

Instrumentação

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos