Name: Matthäus-Passion
Start: 2025-04-18T00:00:00.000Z
End: 2025-04-18T00:00:00.000Z
Location: Das Festspielhaus

Admin

Tiroler Festspiele Erl

Tenor

Paul Schweinester

Bass

Daniel Gutmann

Lukas Enoch Lemcke

Jesus

Charles Workman

Evangelist

Conductor

Heinz Ferlesch

Others

Orchestra And Choir Of The Tyrolean Festival Erl

Singer

Contralto

Katrin Wundsam

Mezzo-soprano

Soprano

Annett Fritsch

Orchestra

Orchester der Tiroler Festspiele Erl

Chor der Tiroler Festspiele Erl

Matthäus-Passion

Austria

Das Festspielhaus

Public

St. Matthew Passion

Keerthi Raj

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Parsifal's suffering is only the "prelude" to the Passion of Christ, which Bach composed in his exuberant work. Felix Mendelssohn-Bartholdy had the right instinct and had the St. Matthew Passion, long forgotten after Bach's death, performed again. Since then it has been part of Easter – like “Parsifal”. Even a self-proclaimed “anti-Christian” like Friedrich Nietzsche was impressed by the St. Matthew Passion (Wagner’s “Parsifal,” however, less so, to say the least). Perhaps also because Bach pumped operatic fuel through the veins of his passion (inappropriately, given the practices of the time).

English

Parsifals Leiden ist nur das „Vorspiel“ zur Passion Christi, die Bach in seinem überbordend besetzten Werk auskomponiert hat. Felix Mendelssohn-Bartholdy hatte den richtigen Riecher und die nach Bachs Tod längst vergessene Matthäus-Passion wieder aufführen lassen. Seitdem gehört sie zu Ostern – wie „Parsifal“. Sogar einen selbst ernannten „Anti-Christen“ wie Friedrich Nietzsche hat die Matthäus-Passion beeindruckt (Wagners „Parsifal“ hingegen weniger, gelinde gesagt). Vielleicht auch deshalb, weil Bach (für damalige Gepflogenheiten) geradezu – unschicklich – opernhaften Treibstoff durch die Adern seiner Passion gepumpt hat.

Deutsch

Matthäus-Passion by Bach, J. S., De la (2025/2025), Dirijor Heinz Ferlesch, Das Festspielhaus, Erl, Austria

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