Organization

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Théâtre des Champs-Elysées

Pianist

Maxim Emelyanychev

Instrumentalist

Violinist

Aylen Pritchin

Violin

violon

Piano

Maxim Emelyanychev and Aylen Pritchin

Paris

France

Maxim Emelyanychev and Aylen Pritchin: Violin Sonata No.1 in G Major, op. 78 Brahms (+2 More)

Public

Violin Sonata No.1, op. 78

Romance en fa mineur opus 11

Violin Sonata No. 3 in C Minor, op. 45

Saileshwaran Thirumurthy

Approved

“Aylen Pritchin’s sound is luminous, his bow arm imperial,” was Diapason magazine’s verdict. In 2014, the judges of the Long-Thibaud-Crespin Competition agreed, awarding him First Prize. The Russian violinist reunites with his friend Maxim Emelyanychev, his partner on a 2021 recording of Brahms for the Aparté label, in a pairing which Classica magazine compared to Suk and Katchen and to Perlman and Ashkenazy. After a detour to Dvořák’s native Bohemia, we head North for Grieg’s last chamber work, a farewell to the genre without a hint of sadness, and with good reason. Two decades before his death, he was already writing for the younger generation as the violinist he had in mind was not yet twenty years old.

English

« Sonorité lumineuse et bras droit impérial », notait un jour Diapason à propos de l’art d’Aylen Pritchin. En 2014, le jury du Concours Long-Thibaud-Crespin n’en pensait pas moins en lui décernant son Premier Prix. Le Russe retrouve aujourd’hui l’ami Maxim Emelyanychev, partenaire brahmsien pour les micros d’Aparté en 2021 – Classica mettait alors leur duo au niveau des légendaires Suk-Katchen et Perlman-Ashkenazy, excusez du peu. Après un détour par la Bohême de Dvořák, cap au Nord vers la dernière œuvre de musique de chambre de Grieg, adieu au genre sans rien de triste. Et pour cause. Deux décennies avant sa mort, le maître écrit pour la jeunesse : la violoniste à laquelle il pense n’a pas encore vingt ans.

français

Maxim Emelyanychev and Aylen Pritchin by Brahms, Dvořák, Grieg, Frá (2024/2024), Théâtre des Champs-Elysées, Paris, France

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